Трукрайм в кино. Преступления, которые легли в основу культовых фильмов - Гарольд Шехтер
Mayo, Mike. American Murder: Criminals, Crime, and the Media. Canton, MI: Visible Ink, 2008.
McCarty, John. Bullets over Broadway: The American Gangster Picture from the Silents to The Sopranos. New York: Da Capo, 2004.
McConnell, Brian. Found Naked and Dead: The Facts Behind the Thames-side Murders. London: New English Library, 1974.
McGilligan, Patrick. Fritz Lang: The Nature of the Beast. New York: St. Martin’s, 1997.
Mordden, Ethan. All That Jazz: The Life and Times of the Musical Chicago. New York: Oxford University Press, 2018.
Nash, Jay Robert. The Great Pictorial History of World Crime. Lanham, MD: Scarecrow, 2004.
Nashawaty, Chris. Crab Monsters, Teenage Cavemen, and Candy Stripe Nurses: Roger Corman: King of the B Movie. New York: Abrams, 2013.
Neff, James. The Wrong Man: The Final Verdict on the Dr. Sam Sheppard Murder Case. New York: Random House, 2001.
Newton, Michael. The Encyclopedia of Unsolved Crimes. 2nd ed. New York: Facts on File, 2009.
Niemi, Robert. Inspired by True Events: An Illustrated Guide to More than 500 History-Based Films. 2nd ed. Santa Barbara, CA: ABC–CLIO, 2013.
Ott, Frederick W. The Films of Fritz Lang. Secaucus, NJ: Citadel, 1979.
Pardoe, Blaine L. Sawney Bean: Dissecting the Legend of the Scottish Cannibal. Stroud, UK: Fonthill Media, 2015.
Peary, Danny. Cult Crime Movies. New York: Workman, 2014.
Perry, Douglas. The Girls of Murder City: Fame, Lust, and the Beautiful Killers Who Inspired Chicago. New York: Viking, 2010.
Phelps, M. William. The Devil’s Rooming House: The True Story of America’s Deadliest Female Serial Killer. Guilford, CT: Lyons, 2010.
Phillips, Gene D. Out of the Shadows: Expanding the Canon of Classic Film Noir. Lanham, MD: Scarecrow, 2012.
Pratley, Gerald. The Cinema of Otto Preminger. London: A. Zwemmer, 1971.
Ramsland, Katherine. Inside the Minds of Mass Murderers: Why They Kill. Westport, CT: Praeger, 2005.
Rebello, Stephen. Alfred Hitchcock and the Making of Psycho. New York: Soft Skull, 2013.
Reiter, Gershon. The Shadow Self in Film: Projecting the Unconscious Other. Jefferson, NC: McFarland, 2014.
Rolling, Danny, and Sondra London. The Making of a Serial Killer: The Real Story of the Gainesville Murders in the Killer’s Own Words. Portland, OR: Feral House, 1996.
Rosa, John P. Local Story: The Massie-Kahahawai Case and the Culture of History. Honolulu: University of Hawaii Press, 2014.
Rosner, Lisa. The Anatomy Murders: Being the True and Spectacular History of Edinburgh’s Notorious Burke and Hare, and of the Man of Science Who Abetted Them in the Commission of Their Most Heinous Crimes. Philadelphia: University of Pennsylvania Press, 2010.
Rossner, Judith. Looking for Mr. Goodbar. New York: Simon & Schuster, 1975.
Roughead, William. Burke and Hare. Edinburgh: William Hodge, 1921.
Ryzuk, Mary S. The Gainesville Ripper: A Summer’s Madness, Five Young Victims – the Investigation, the Arrest and the Trial. New York: St. Martin’s, 1994.
Schechter, Harold. Bestial: The Savage Trail of a True American Monster. New York: Pocket Books, 1998.
–. Psycho USA: Famous American Killers You Never Heard Of. New York: Ballantine Books, 2012.
–. The Serial Killer Files: The Who, What, Where, How, and Why of the World’s Most Terrifying Murderers. New York: Ballantine Books, 2003.
Scherle, Victor, and William Turner Levy, eds. The Films of Frank Capra. Secaucus, NJ: Citadel, 1977.
Schneider, Eric C. Vampires, Dragons, and Egyptian Kings: Youth Gangs in Postwar New York. Princeton, NJ: Princeton University Press, 1999.
Schutze, Jim. Bully: A True Story of High School Revenge. New York: Avon Books, 1997.
Scott, Robert. Most Wanted Killer. New York: Pinnacle Books, 2010.
Seabrook, David. Jack of Jumps. London: Granta Books, 2006.
Serafin, Faith. Wicked Phenix City. Charleston, SC: History Press, 2014.
Shirley, Glenn. Born to Kill: He Blazed a Trail of Death and Terror Across Fourteen States. Derby, CT: Monarch Books, 1963.
Sifakis, Carl. The Encyclopedia of American Crime. New York: Facts on File, 1982.
Smith, Joseph W. The Psycho File: A Comprehensive Guide to Hitchcock’s Classic Shocker. Jefferson, NC: McFarland, 2009.
Spoto, Donald. The Art of Alfred Hitchcock: Fifty Years of His Motion Pictures. 2nd ed. New York: Anchor Books, 1992.
Stannard, David E. Honor Killing: Race, Rape, and Clarence Darrow’s Spectacular Last Case. New York: Penguin, 2006.
Sterritt, David. The Films of Alfred Hitchcock. Cambridge: Cambridge University Press, 1993.
Strickland, Edwin, and Gene Wortsman. Phenix City: The Wickedest City in America. Birmingham, AL: Vulcan, 1955.
Sykes, Brad. Terror in the Desert: Dark Cinema of the American Southwest. Jefferson, NC: McFarland, 2018.
Toland, John. The Dillinger Days. New York: Random House, 1963.
Trest, Warren. Nobody but the People: The Life and Times of Alabama’s Youngest Governor. Montgomery, AL: NewSouth Books, 2008.
Van Slingerland, Peter. Something Terrible Has Happened. New York: Harper & Row, 1966.
Vermilye, Jerry. The Films of Charles Bronson. Secaucus, NJ: Citadel, 1980.
Watkins, Maurine. Chicago: With the Chicago Tribune Articles That Inspired It. Edited by Thomas H. Pauly. Carbondale: Southern Illinois University Press, 1997.
Wolff, Geoffrey. The Art of Burning Bridges: A Life of John O’Hara. New York: Alfred A. Knopf, 2003.
Yule, Andrew. Picture Shows: The Life and Films of Peter Bogdanovich. New York: Limeligh Editions, 1992.
1
Эдмунд Пирсон – американский писатель, работавший в жанре true crime. Наиболее известен своим рассказом о сенсационном деле об убийстве Лиззи Борден. – Прим. ред.
1
Шаффлборд – игра, в которой игроки перемещают игровые шайбы с одного конца размеченного поля на другой с помощью кия или рукой, чтобы набрать наибольшее количество очков. – Прим. пер.
2
В некоторых источниках говорится, что Кэрил не просто знала о содеянном Чарли, но даже помогала убрать трупы своих родных. – Прим. ред.
3
Гра́йндха́ус – сейчас в Америке этим термином обозначается кинотеатр, показывающий в основном фильмы эксплуатационного кино. До этого грайндхаусами называли ныне не существующие «театры бурлеска» на 42-й улице Нью-Йорка, где демонстрировались стриптиз и эротические танцы, от которых и произошел термин. Также этот термин используют, когда говорят о низкобюджетном кино в жанре эксплотейшен. – Прим. ред.