David Wallace - Infinite jest

Time began to take on new aspects for him, now, as Withdrawal progressed. Time began to pass with sharp edges. Its passage in the dark or dim-lit stall was like time was being carried by a procession of ants, a gleaming red martial column of those militaristic red Southern-U.S. ants that build hideous tall boiling hills; and each vile gleaming ant wanted a minuscule little portion of Poor Tony’s flesh in compensation as it helped bear time slowly forward down the corridor of true Withdrawal. By the second week in the stall time itself seemed the corridor, lightless at either end. After more time time then ceased to move or be moved or be move-throughable and assumed a shape above and apart, a huge, musty-feathered, orange-eyed wingless fowl hunched incontinent atop the stall, with a kind of watchful but deeply uncaring personality that didn’t seem keen on Poor Tony Krause as a person at all, or to wish him well. Not one little bit. It spoke to him from atop the stall, the same things, over and over. They were unrepeatable. Nothing in even Poor Tony’s grim life-experience prepared him for the experience of time with a shape and an odor, squatting; and the worsening physical symptoms were a spree at Bonwit’s compared to time’s black assurances that the symptoms were merely hints, signposts pointing up at a larger, far more dire set of Withdrawal phenomena that hung just overhead by a string that unravelled steadily with the passage of time. It would not keep still and would not end; it changed shape and smell. It moved in and out of him like the very most feared prison-shower assailant. Poor Tony had once had the hubris to fancy he’d had occasion really to shiver, ever, before. But he had never truly really shivered until time’s cadences — jagged and cold and smelling oddly of deodorant — entered his body via several openings — cold the way only damp cold is cold — the phrase he’d had the gall to have imagined he understood was the phrase chilled to the bone — shard-studded columns of chill entering to fill his bones with ground glass, and he could hear his joints’ glassy crunch with every slightest shift of hunched position, time ambient and in the air and entering and exiting at will, coldly; and the pain of his breath against his teeth. Time came to him in the falcon-black of the library night in an orange mohawk and Merry Widow w/ tacky Amalfo pumps and nothing else. Time spread him and entered him roughly and had its way and left him again in the form of endless gushing liquid shit that he could not flush enough to keep up with. He spent the longest morbid time trying to fathom whence all the shit came from when he was ingesting nothing at all but Codinex Plus. Then at some point he realized: time had become the shit itself: Poor Tony had become an hourglass: time moved through him now; he ceased to exist apart from its jagged-edged flow. He now weighed more like 45 kg. His legs were the size his comely arms had been, before Withdrawal. He was haunted by the word Zuckung, a foreign and possibly Yiddish word he did not recall ever before hearing. The word kept echoing in quick-step cadence through his head without meaning anything. He’d naively assumed that going mad meant you were not aware of going mad; he’d naively pictured madmen as forever laughing. He kept seeing his sonless father again — removing the training wheels, looking at his pager, wearing a green gown and mask, pouring iced tea in a pebbled glass, tearing his sportshirt in filial woe, grabbing his shoulder, sinking to his knees. Stiffening in a bronze casket. Being lowered under the snow at Mount Auburn Cemetery, through dark glasses from a distance. ‘Chilled to the Zuckung.’ When, then, even the funds for the codeine syrup were exhausted, he still sat on the toilet of the rear stall of the A.F.L. loo, surrounded by previously comforting hung habilements and fashion-magazine photographs he’d fastened to the wall with tape cadged on the way in from the Reference desk, sat for almost a whole nother night and day, because he had no faith that he could stem the flow of diarrhea long enough to make it anywhere — if anywhere to go presented itself — in his only pair of gender-appropriate slacks. During hours of lit operation, the men’s room was full of old men who wore identical brown loafers and spoke Slavic and whose rapid-fire flatulence smelled of cabbage.

Toward the end of the day of the second syrupless afternoon (the day of the seizure) Poor Tony Krause began to Withdraw from the cough syrup’s alcohol and codeine and demethylated morphine, now, as well as from the original heroin, yielding a set of sensations for which not even his recent experience had prepared him (the alcohol-Withdrawal especially); and when the true D.T.-type big-budget visuals commenced, when the first glossy and minutely hirsute army-ant crawled up his arm and refused ghostlike to be brushed away or hammered dead, Poor Tony threw his hygienic pride into time’s porcelain maw and pulled up his slacks — mortifyingly wrinkled from 10+ days puddled around his ankles — made what slight cosmetic repairs he could, donned his tacky hat with Scotch-taped scarf of paper towels, and lit out in last-ditch desperation for Cambridge’s Inman Square, for the sinister and duplicitous Antitoi brothers, their Glass-Entertainment-’N-Notions-fronted operations center he’d long ago vowed never again to darken the door of and but now figured to be his place of very last resort, the Antitois, Canadians of the Quebec subgenus, sinister and duplicitous but when it came down to it rather hapless political insurgents he’d twice availed of services through the offices of Lolasister, now the only persons anywhere he could claim somehow owed him a kindness, since the affair of the heart.

In his coat and skallycap-over-scarf on Watertown Center’s underground Gray Line platform, when the first hot loose load fell out into the baggy slacks and down his leg and out around his high heel — he still had only his red high heels with the crossing straps, which the slacks were long enough to mostly hide — Poor Tony closed his eyes against the ants formicating up and down his arms’ skinny length and screamed a soundless interior scream of utter and soul-scalded woe. His beloved boa fit almost entirely in one breast pocket, where it stayed in the name of discretion. On the crowded train itself, then, he discovered that he’d gone in three weeks from being a colorful and comely albeit freakishly comely person to being one of those loathsome urban specimens that respectable persons on T-trains slide and drift quietly away from without even seeming to notice they’re even there. His scarf of paper towels had come partly untaped. He smelled of bilirubin and yellow sweat and wore week-old eyeliner that simply did not fly if one needed a shave. There had been some negative urine-incidents as well, in the slacks, to round matters out. He had simply never in his life felt so unattractive or been so sick. He wept silently in shame and pain at the passage of each brightly lit public second’s edge, and the driver ants that boiled in his lap opened needle-teethed little insectile mouths to catch the tears. He could feel his erratic pulse in his sty. The Gray Line was of the Green- and Orange-Line trundling-behemoth-type train, and he sat all alone at one end of the car, feeling each slow second take its cut.

When it descended, the seizure felt less like a separate distinct health-crisis than simply the next exhibit in the corridor of horrors that was the Old Cold Bird. In actual fact the seizure — a kind of synaptic firefight in Poor Tony’s desiccated temporal lobes — was caused entirely by Withdrawal not From Heroin but from plain old grain alcohol, which was Co-dinex Plus cough syrup’s primary ingredient and balm. He’d consumed upwards of sixteen little Eighty-Proof bottles of Codinex per day for eight days, and so was cruising for a real neurochemical bruising when he just up and stopped. The first thing that didn’t augur very well was a shower of spark-sized phosphenes from the ceiling of the swaying train, this plus the fiery violet aura around the heads of the respectables who’d quietly retreated as far as possible from the various puddles in which he sat. Their clean pink faces looked somehow stricken, each inside a hood of violet flame. Poor Tony didn’t know that his silent whimpers had ceased to be silent, was why everyone in the car had gotten so terribly interested in the floor-tiles between their feet. He knew only that the sudden and incongruous smell of Old Spice Stick Deodorant, Classic Original Scent — unbidden and unex-plainable, his late obstetric Poppa’s brand, not smelled for years — and the tiny panicked twitters with which Withdrawal’s ants skittered glossily up into his mouth and nose and disappeared (each of course taking its tiny pincered farewell bite as it went) augured some new and vivider exhibit on the corridor’s horizon. He’d become, at puberty, violently allergic to the smell of Old Spice. As he soiled himself and the plastic seat and floor once again the Classic Scent of times past intensified. Then Poor Tony’s body began to swell. He watched his limbs become airy white dirigibles and felt them deny his authority and detach from him and float sluggishly up snout-first into the steel-mill sparks the ceiling rained. He suddenly felt nothing, or rather Nothing, a pre-tornadic stillness of zero sensation, as if he were the very space he occupied.

Then he had a seizure.[103] The floor of the subway car became the ceiling of the subway car and he was on his arched back in a waterfall of light, gagging on Old Spice and watching his tumid limbs tear-ass around the car’s interior like undone balloons. The booming Zuckung Zuckung Zuckung was his high heels’ heels drumming on the soiled floor’s tile. He heard a rushing train-roar that was no train on earth and felt a vascular roaring rushing that until the pain hit seemed like the gathering of a kind of orgasm of the head. His head inflated hugely and creaked as it stretched, inflating. Then the pain (seizures hurt, is what few civilians have occasion to know) was the sharp end of a hammer. There was a squeak and rush of release inside his skull and something shot from him into the air. He saw Bobby (‘C’) C’s blood misting upward in the hot wind of the Copley blower. His father knelt beside him on the ceiling in a well-rended sleeveless tee-, extolling the Red Sox of Rice and Lynn. Tony wore summer taffeta. His body flopped around without OK from HQ. He didn’t feel one bit like a puppet. He thought of gaffed fish. The gown had ‘a thousand flounces and a saucy bodice of lace crochet.’ Then he saw his father, green-gowned and rubber-gloved, leaning to read the headlines off the skin of a fish a newspaper had wrapped. That had never happened. The largest-print headline said PUSH. Poor Tony flopped and gasped and pushed down inside and the utter red of the blood that feeds sight bloomed behind his fluttering lids. Time wasn’t passing so much as kneeling beside him in a torn tee-shirt disclosing the rodent-nosed tits of a man who disdains the care of his once-comely bod. Poor Tony convulsed and drummed and gasped and fluttered, a fountain of light all around him. He felt a piece of nourishing and possibly even intoxicating meat in the back of his throat but elected not to swallow it but swallowed it anyway, and was immediately sorry he did; and when his father’s bloody-rubbered fingers folded his teeth back to retrieve the tongue he’d swallowed he refused absolutely to bite down ungratefully on the hand that was taking his food, then without authorization he pushed and bit down and took the gloved fingers clean off, so there was rubber-wrapped meat in his mouth again and his father’s head exploded into needled antennae of color like an exploding star between his gown’s raised green arms and a call for Zuckung while Tony’s heels drummed and struggled against the widening stirrups of light they were hoisted into while a curtain of red was drawn wetly up over the floor he stared down at, Tony, and he heard someone yelling for someone to Give In, Err, with a hand on his lace belly as he bore down to PUSH and he saw the legs in the stirrups they held would keep spreading until they cracked him open and all the way inside-out on the ceiling and his last worry was that red-handed Poppa could see up his dress, what was hidden.

7 NOVEMBER — YEAR OF THE DEPEND ADULT UNDERGARMENT

Each of the eight to ten prorectors at the Enfield Tennis Academy teaches one academic class per term, usually a once-a-week Saturday thing. This is mostly for certification reasons,[104] plus all but one of the prorectors are low-level touring professionals, with low-level professional tennis players in general being not exactly the most candent stars in the intellectual Orion. Because of all this, their classes tend to be not only electives but Academy jokes, and the E.T.A. Dean of Academic Affairs regards prorector-taught classes — e.g., in Fall Y.D.A.U., Corbett Thorp’s ‘Deviant Geometries,’ Aubrey deLint’s ‘Introduction to Athletic Spreadsheets,’ or the colon-mad Tex Watson’s ‘From Scarcity to Plenty: From Putrid Stuff Out of the Ground to the Atom in the Mirror: A Lay Look at Energy Resources from Anthracite to Annular Fusion,’ etc. — as not satisfying any sort of quadrivial requirement. But the older E.T.A.s, with more latitude credit- and elective-wise, still tend to clamor and jostle for spots in the prorectors’ seminars, not just because the classes can be passed by pretty much anybody who shows up and displays vital signs, but because most of the prorectors are (also like low-level tennis pros as a genus) kind of bats, and their classes are usually fascinating the way plane-crash footage is fascinating. E.g., although any closed room she’s in soon develops a mysterious and overpowering vitamin-B stink he can just barely stand, E.T.A. senior Ted Schacht has taken Mary Esther Thode’s perennially batsoid ‘The Personal Is the Political Is the Psy-chopathological: the Politics of Contemporary Psychopathological Double-Binds’ all three times it’s been offered. M. E. Thode is regarded by the up-perclassmen as probably insane, by like clinical standards, although her coaching proficiency with the Girls’ 16’s is beyond dispute. A bit on the old side for an E.T.A. prorector, Thode had been a pupil of Coach G. Schtitt back at Schtitt’s infamous old crop-and-epaulette Harry Hopman program in Winter Park FL and then for a couple years at the new E.T.A. as a top and Show-bound if kind of rabidly political and not too tightly wrapped female junior. Later blacklisted off both the Virginia Slims and Family Circle professional distaff circuits after trying to organize the circuits’ more politically rabid and unwrapped players into a sort of radical post-feminist grange that would compete only in pro tournaments organized, subsidized, refereed, overseen, and even attended and cartridge-distributed exclusively to not only women or homosexual women, but only by, for, and to registered members of the infamously unpopular early-interdependence-era Female Objectification Prevention and Protest Phalanx,[105] given the shoe, she’d come, practically with a bandanna-tied stick over her shoulder, back to Coach Schtitt, who for historico-national reasons has always had a soft place inside for anyone who seems even marginally politically repressed. Last spring’s airless and B-redolent section of Thode’s psycho-political offering, ‘The Toothless Predator: Breast-Feeding as Sexual Assault,’ had been one of the most disorientingly fascinating experiences of Ted Schacht’s intellectual life so far, outside the dentist’s chair, whereas this fall’s focus on pathologic double-bind-type quandaries was turning out to be not quite as compelling but weirdly — almost intuitively — easy: E.g., from today’s: