Toni Morrison - Tar Baby

Now all three looked out the kitchen window at the old man as though they could discover with their eyes an uncontrolled craving for chocolate and bottled water in his. Yardman’s face was nothing to enjoy, but his teeth were a treat. Stone-white and organized like a drugstore sample of what teeth ought to be.

Ondine sighed pointedly and walked to the door. She wished he could read, then she wouldn’t have to recite a list of chores and errands three times over so he would not forget: a red footlocker, a bottle of Maalox, the Christmas tree, thalomide, putting down bricks—but she’d be damned if she’d mention a turkey.

2

A HOUSE of sleeping humans is both closed and wide open. Like an ear it resists easy penetration but cannot brace for attack. Luckily in the Caribbean there is no fear. The unsocketed eye that watches sleepers is not threatening—it is merely alert, which anyone can tell for it has no lid and cannot wax or wane. No one speaks of a quarter or half moon in the Caribbean. It is always full. Always adrift and curious. Unastonished but never bored by the things it beholds: a pair of married servants sleeping back to back. The man without pajama tops in deference to the heat; his wife up to her neck in percale to defy it. There is safety in those backs. Each one feels it radiating from the other, knows that the steady, able spine of its partner is a hip turn away. Then their sleep is tranquil, earned, unlike the sleep of the old man upstairs in cotton pajamas. He has napped so frequently in his greenhouse during the day that night sleep eludes him. Sometimes he needs a half balloon of brandy to find it, and even then he chats the night away, whispering first to his wrist, then to the ceiling the messages he has received that need telling. And when he has got it straight—the exact wording, even the spelling of the crucial words—he is happy and laughs lightly like a sweet boy. His wife, in another room, has carefully climbed the steps to sleep and arrived at its door with luggage packed and locked: buffered nails, lightly oiled skin, hair pinned, teeth brushed—all her tips in shining order. Her breathing is still rapid, for she has just done twelve minutes of Canadian Air Force exercises. Eventually it slows, and under her sleeping mask two cotton balls soaked in witch hazel nestle against peaceful eyelids. She is hopeful in sleep for this may be the night she will dream the dream she ought to. Next to her bedroom, adjacent to it with a connecting door (she is not in this house year-round and has chosen a guest room rather than the master bedroom as her own), a young woman barely twenty-five years old is wide-awake. Again. She fell asleep immediately when first she lay down, but after an hour she woke rigid and frightened from a dream of large hats. Large beautiful women’s hats like Norma Shearer’s and Mae West’s and Jeanette MacDonald’s although the dreamer is too young to have seen their movies or remembered them if she had. Feathers. Veils. Flowers. Brims flat, brims drooping, brims folded, and rounded. Hat after lovely sailing hat surrounding her until she is finger-snapped awake. She lay there under the eye of the moon wondering why the hats had shamed and repelled her so. As soon as she gave up looking for the center of the fear, she was reminded of another picture that was not a dream. Two months ago, in Paris, the day she went grocery shopping. One of the happiest days of her life—full of such good weather and such good news she decided to throw a party to celebrate. She telephoned all the people she loved and some she did not and then drove all the way to the Supra Market in the 19ème arrondissement. Everything on her list was sure to be there, and no substitutes or compromises were necessary: Major Grey’s chutney, real brown rice, fresh pimiento, tamarind rinds, coconut and the split breasts of two young lambs. There were Chinese mushrooms and arugula; palm hearts and Bertolli’s Tuscany olive oil. If you had just been chosen for the cover of Elle, and there were three count three gorgeous and raucous men to telephone you or screech up to your door in Yugoslavian touring cars with Bordeaux Blanc and sandwiches and a little C, and when you have a letter from a charming old man saying your orals were satisfactory to the committee—well, then you go to the Supra Market for your dinner ingredients and plan a rich and tacky menu of dishes Easterners thought up for Westerners in order to indispose them, but which were printed in Vogue and Elle in a manner impressive to a twenty-five-year-old who could look so much younger when she chose that she didn’t even have to lie to the agencies, and they gave what they believed was a nineteen-year-old face the eyes and mouth of a woman of three decades.

Under such benevolent circumstances, knowing she was intelligent and lucky, everything on her list would of course be there. And when the vision materialized in a yellow dress Jadine was not sure it was not all part of her list—an addition to the coconut and tamarind, a kind of plus to go with the limes and pimiento. Another piece of her luck. The vision itself was a woman much too tall. Under her long canary yellow dress Jadine knew there was too much hip, too much bust. The agency would laugh her out of the lobby, so why was she and everybody else in the store transfixed? The height? The skin like tar against the canary yellow dress? The woman walked down the aisle as though her many-colored sandals were pressing gold tracks on the floor. Two upside-down V’s were scored into each of her cheeks, her hair was wrapped in a gelée as yellow as her dress. The people in the aisles watched her without embarrassment, with full glances instead of sly ones. She had no arm basket or cart. Just her many-colored sandals and her yellow robe. Jadine turned her cart around and went back down the aisle telling herself she wanted to reexamine the vegetables. The woman leaned into the dairy section and opened a carton from which she selected three eggs. Then she put her right elbow into the palm of her left hand and held the eggs aloft between earlobe and shoulder. She looked up then and they saw something in her eyes so powerful it had burnt away the eyelashes.

She strolled along the aisle, eggs on high, to the cashier, who tried to tell her that eggs were sold by the dozen or half-dozen—not one or two or three or four—but she had to look up into those eyes too beautiful for lashes to say it. She swallowed and was about to try again when the woman reached into the pocket of her yellow dress and put a ten-louis piece on the counter and walked away, away, gold tracking the floor and leaving them all behind. Left arm folded over her waist, right hand holding three chalk-white eggs in the air, and what will she do with her hands when she reaches the door? they wondered. Take her elbow out of the palm of her hand and push it open? Turn around and ask for a paper bag? Drop the eggs in a pocket? Each one of them begged in his heart that it would not happen. That she would float through the glass the way a vision should. She did of course and they needn’t have worried—the door always opened when you stepped on the mat before it, but they had forgotten that or had taken it for granted so long they had not really seen it until that woman approached it with the confidence of transcendent beauty and it flew open in silent obedience.

She would deny it now, but along with everybody else in the market, Jadine gasped. Just a little. Just a sudden intake of air. Just a quick snatch of breath before that woman’s woman—that mother/sister/she; that unphotographable beauty—took it all away.

Jadine followed her profile, then her back as she passed the store window—followed her all the way to the edge of the world where the plate glass stopped. And there, just there—a moment before the cataclysm when all loveliness and life and breath in the world was about to disappear—the woman turned her head sharply around to the left and looked right at Jadine. Turned those eyes too beautiful for eyelashes on Jadine and, with a small parting of her lips, shot an arrow of saliva between her teeth down to the pavement and the hearts below. Actually it didn’t matter. When you have fallen in love, rage is superfluous; insult impossible. You mumble “bitch,” but the hunger never moves, never closes. It is placed, open and always ready for another canary-yellow dress, other tar-black fingers holding three white eggs; or eyes whose force has burnt away their lashes.

Jadine’s luck continued. The dinner party was memorable and nowhere had anything begun to spoil. Like the arugula leaf, life was green and nicely curved. Nothing was limp. There were no tears or brown spots. The items on her shopping list were always there. The handsome raucous men wanted to marry, live with, support, fund and promote her. Smart and beautiful women wanted to be her friend, confidante, lover, neighbor, guest, playmate, host, servant, student or simply near. A lucky girl—why leave the show? cable to old relatives? write a cheery request-type, offer-type letter to a rich old pushover and split to Dominique on whatever Air France had to offer when everything on her shopping list was right there in Paris? Nothing was absent, not even the spit of an African woman whose eyes had burnt away their lashes.

Jadine slipped out of bed and went to the window. She knelt on the floor, and, folding her arms on the sill, rested her head on the pane. She lifted the back of her hand to her mouth and squeezed the soft flesh with her teeth. She couldn’t figure out why the woman’s insulting gesture had derailed her—shaken her out of proportion to incident. Why she had wanted that woman to like and respect her. It had certainly taken the zing out of the magazine cover as well as her degree. Beyond the window etched against the light of a blazing moon she could see the hills at the other side of the island where one hundred horsemen rode one hundred horses, so Valerian said. That was how the island got its name. He had pointed the three humps of hills out to her, but Margaret, who had accompanied them on the tour of the grounds when Jadine first arrived, said no such thing. One rider. Just one. Therefore Isle de le Chevalier. One French soldier on a horse, not a hundred. She’d gotten the story from a neighbor—the first family Valerian had sold to. Valerian stuck to his own story, which he preferred and felt was more accurate because he had heard it from Dr. Michelin, who lived in town and knew all about it. “They’re still there,” he said. “And you can see them if you go over there at night. But I don’t suppose we’ll ever meet. If they’ve been riding for as long as the story is old, they must be as tired as I am, and I don’t want to meet anybody older or more tired than I am.”

Maybe they’re not old, Jadine thought, staring out the window. Maybe they’re still young, still riding. One hundred men on one hundred horses. She tried to visualize them, wave after wave of chevaliers, but somehow that made her think of the woman in yellow who had run her out of Paris. She crawled back into bed and tried to fix the feeling that had troubled her.

The woman had made her feel lonely in a way. Lonely and inauthentic. Perhaps she was overreacting. The woman appeared simply at a time when she had a major decision to make: of the three raucous men, the one she most wanted to marry and who was desperate to marry her was exciting and smart and fun and sexy…so? I guess the person I want to marry is him, but I wonder if the person he wants to marry is me or a black girl? And if it isn’t me he wants, but any black girl who looks like me, talks and acts like me, what will happen when he finds out that I hate ear hoops, that I don’t have to straighten my hair, that Mingus puts me to sleep, that sometimes I want to get out of my skin and be only the person inside—not American—not black—just me? Suppose he sleeps with somebody else after we’re married? Will I feel the way I did when he took Nina Fong away for the weekend? He was amazed, he said, at my reaction. Weren’t we always to be honest with each other? He didn’t want a relationship with lies. Did I? And then we made up, set the date—no wedding, just a marriage—he got rid of his old mattress and bought a new one, a new one for us to grow old on, he said.

Then the magazine cover, and then her degree assured and then, the woman in yellow. And then she ran away because Ryk is white and the woman spit at her and she had to come to see her aunt and uncle to see what they would feel, think, say. White but European which was not as bad as white and American; they would understand that, or would they? Had they ever said? They liked her being in Paris, the schools she’d gone to, the friends she’d had there. They were always boasting about it. And it was not like she needed their views on anything. After her mother died they were her people—but she never lived with them except summers at Valerian’s house when she was very young. Less and then never, after college. They were family; they had gotten Valerian to pay her tuition while they sent her the rest, having no one else to spend it on. Nanadine and Sydney mattered a lot to her but what they thought did not. She had sought them out to touch bases, to sort out things before going ahead with, with, with anything. So far she had been playful with them, had not said anything definite about her plans. When they asked her was she serious about this Ryk fellow who telephoned and who sent letters every week, she pretended it was nothing. That she was thinking of going back to Paris only to get her things. There was a small assignment in New York; she would take it and then she wanted to see about opening a business of her own, she’d told them, a gallery, or a boutique or a…she’d looked at their faces then…well, something they could all do together so they could live together like a family at last. They smiled generously, but their eyes made her know they were happy to play store with her, but nothing would pull them away from the jobs they had had for thirty years or more.

Jadine kicked off the sheet and buried her head under the pillow to keep the moonlight out of her eyes, and the woman in yellow out of her mind.

WHEN JADINE had gotten out of bed to stare at the hills, Valerian woke up. He had finished chatting to the ceiling and into his wrist the exact spelling of the message: These iceboxes are brown broken perspective v-i-o-l-i-a-x is something more and can’t be coal note. He had sipped the brandy rather quickly, annoyed by the day’s turn of events, and had lain for a while thinking how impossible it was that, unlike other men, he had been pushed into a presidency but had to fight for his retirement.

When he was thirty-nine he swore that he would quit at exactly sixty-five before he started spending his days traveling from the executive toilet back to his desk where the ballpoint pens mounted on marble had gone dry and his pencils were always long and sharp. That he would never permit himself to become the industrial nuisances his uncles had: stubborn, meddlesome, hanging on to their desks with their fingernails; flourishing once or twice a year when a crisis occurred with an old client or a new F.D.A. official that needed their familiarity or style or some other antiquated company charm. His uncles had been good to him. Their mother (Valerian’s grandmother) had four sons each of whom had married a woman who had only girls. Except Valerian’s mother who delivered one girl and one boy, who was the future of the family. When his father died and Valerian was seven, the uncles gathered to steady everybody and take over the education of their dead brother’s son since it was, they said, “self-understood” that he would inherit the candy factory. And just to show how much they loved and anticipated him, they named a candy after him. Valerians. Red and white gumdrops in a red and white box (mint-flavored, the white ones; strawberry-flavored, the red). Valerians turned out to be a slow but real flop, although not a painful one financially for it was made from the syrup sludge left over from their main confection—Teddy Boys.