John Locke - Saving Rachel

Karen snatches the Vicky’s Secret bag from the backseat, opens it, and says, “Oh, Sam, I love it!”

“You do?”

She holds it up in front of her, and I see her expression change ever so slightly, like a thin cloud passing briefly across the sun.

“Yes, but … it’s a bit small for me, don’t you think?”

I look at the label and pretend I’m shocked. “I’m so sorry,” I say. “I’ll exchange it immediately. I can’t believe they wrapped the wrong size. Guess I was in such a hurry to get back before you left.”

“I’m sorry,” she says. “It really is a wonderful gift. And it means the world to me that you went to all this trouble.”

I’m trying to say all the right things to Karen but my pulse is pounding the drum line from “Wipe Out” in my ears. I study Karen’s face with full knowledge that I make my living by reading computer code, not people. So I really stare at her and come away with this: if there’s any guile in Karen’s face or body language, I can’t find it. Either she’s the greatest actress in the world, or she’s completely innocent in this whole gangster/Mary/Rachel thing. I’m leaning toward her being innocent, but I can’t dwell on it. I’ve wasted enough time sitting in my car. Rachel needs me. Now! I make a show of looking at my watch. “I’ve got to run,” I say. “Me too. I’m going in to work after all.” “You called in sick,” I say. “I’ll tell them I got better. I’d rather keep half a sick day for the next time.” She gives me a wink. I nod. She whispers, “I love you, Sam.”

She kisses me again. Then she opens her door, but first, we do that thing where we slowly break away from each other until just our fingertips are touching. I’m thinking, God, I’m pathetic. Finally, mercifully, she’s gone. I fire the ignition. Before I blast off, I take a deep breath and look at the photograph again.

In it, Rachel is lying spread-eagle on her back on our kitchen floor. She’s blindfolded. Her hands and feet are tied to eyebolts that have been screwed into the floorboards. She’s wearing a white bra and black panties, nothing more. She has some sort of ball in her mouth, like the kind you’d see in a low-grade bondage movie.

On her bra cups, written in thick, indelible ink, are the letters “K” and “V.”

If that doesn’t stand for Karen Vogel, I’m out of ideas.

Chapter 7

Traffic in downtown Louisville is only heavy at noon and five, and noon is a half hour away. By then, I’ll be at Rachel’s side or in police custody, and I’m not sure which is safer.

I make short work of the downtown area, hit the interstate ramp, kick the Audi into third, and catch rubber out of the turn. I shift again and jam the gas pedal till I hear the engine whine. I shift to fifth, flying. I’m flying! But my mind is flying faster.

Someone has molested my wife, unless she woke up wearing a white bra and black panties. I try to think. Did she? I rewound the morning in my head. She was sleeping when I left. What about last night? Think! Last night, I came into the bathroom, and—

Shit! I swerve and change lanes, barely missing the car in front of me. I’d misjudged its speed. I look at the needle. I’ve slowed to one-ten. Jesus!

Okay, so last night, she’s at her makeup desk in the bathroom. She’s sitting there, her back to me as I enter the room to brush my teeth. She’s just showered and still has a towel on her head. She’s got another towel draped around her shoulders; she’s not wearing a bra. And she … she does have on black panties. Okay, so it’s possible she put on a white bra. Wait—no, it’s not possible. She wears a flannel nightshirt to bed, no bra. This morning, I get up and get dressed, and she’s still asleep in her upstairs bedroom. So, she does what? Wakes up after I leave, starts getting dressed, right? Maybe she puts on the white bra and starts getting dressed, but someone breaks in and—

No. I force myself away from that scenario. Maybe she’s sleeping when they break in. They overpower her. No, that’s even worse. I stop concentrating on how they got her bound and gagged and into the bra and focus instead on why.

Why would they write “K” and “V” on her cups? It’s a reference to Karen Vogel, nothing could be more obvious. In the photograph, Rachel is blindfolded. Does that mean she doesn’t know what they wrote on her bra? If so, I’ll have to come up with a plan to get her bra off before she sees it.

Excuse me?

I slap my forehead to remind myself to stop being a jerk. This is my wife. She’s lying on the floor. She’s scared to death. She’s bound and gagged, and—

And blindfolded. There it is again. I can’t get my mind off the blindfold.

My best guess is Rachel doesn’t know about Karen. The “K” and “V” are a warning to me. If I don’t do what they want, they’ll tell Rachel about the affair.

But what do they want me to do?

They’ve never said.

I wonder if they have pictures. I wonder again if Karen could have set me up. I’ve only known her a month. How well can you possibly know someone in just a month? I mean, Karen’s been with me the same month and doesn’t know I’m married, right? But what if she does know about Rachel? Would she want to punish me for lying to her?

Possibly.

But is she capable of murder?

No. But this isn’t about the affair. If Karen found out I was married, she’d throw a shit fit, sure. But she wouldn’t do anything that would result in the death of my wife’s sister or a policeman.

Unless …

What is it they always say in the movies?

Follow the money.

Good advice, that. Because this is almost certainly about the money, and not just my money, I’m beginning to suspect, but the money I move for my clients.

One of the lanes is closed up ahead, and I’m forced to downshift to sixty, which gives me more time to think.

Maybe I’m coming at it the wrong way. Maybe the gangster found out about Lockdown T3 and hired Karen Vogel to be receptive to my advances. Maybe he figured if Karen got close enough, I’d give her details about my operation. If that’s it, she’s done a helluva job, because other than the standard, “What do you do for a living?” Karen’s hardly mentioned my business.

But I have.

I’ve told her plenty.

That’s me, Mr. Big Shot, trying to impress Karen from day one and throughout the whole courtship, making sure she knows how special I am, how lucky she is to be with me, how clever, rich, and successful I am, what I did to get that way, and how it works. So yeah, I told her plenty—not enough to breach my security, but certainly enough to pique her interest on behalf of her gangster friend.

Listen to me, “gangster friend.” We’re talking about Karen Vogel here, not Vicky Gotti.

My inner voice starts in on me. Oh really? Then what about all the coincidences? I list them: One, at the exact time I’m in the hotel room with Karen, someone is photographing my wife on the kitchen floor wearing a bra with Karen’s initials. Two, when I leave Karen’s hotel room, a gangster attacks me in the hotel garage and takes me to a park. Three, it’s not just any park, but the park where Rachel’s sister happens to be.

So of course Karen is involved. But who came first, Karen or the gangster?

It had to be Karen.

Maybe she didn’t know the gangster before I started running my mouth, but after hearing my stories, she must have started formulating a plan. A girl like Karen wouldn’t know how to do it herself, but she probably knows some shady character who has the right connections. Meaning, there could be several, possibly a bunch of people involved in the plan—which makes sense. After all, I’m floating billions of dollars for my clients, not just millions.

My inner voice is relentless. Great work, big man. You thought you seduced Karen Vogel, but she played you and you fell for it like the pathetic little worm you are! Now your sister-in-law is dead, your wife’s in danger, your marriage is down the toilet, the cops are after you—oh, and by the way, if she succeeds in getting you to steal money from your clients … well, you know what kind of men you’re dealing with. There is no solution, no outcome that’s going to get you back to the life you used to have. Face it, you’re … I’m fucked. Unless … Unless … Unless I kill her.

Right, just listen to yourself. Like you’ve got the guts to kill someone! But even if you did, you’d have to kill the gangster and Mr. Clean as well. Think you’re up for the job, big man?

I want to pull over and throw up.

That beautiful bitch set me up!

My life is totally fucked. Everything I’ve built, everything I’ve worked for has been flushed down the toilet in a month’s time. I can’t believe I put myself and the people I care about into this situation. And for what: a little trim. Son of a bitch! What the hell am I going to do?

You can start by saving Rachel, you stupid prick.

I’m close to my exit but stuck behind an eighteen-wheeler. I want to pass him, but there’s a Saab clinging to the speed limit in the left lane. I’ll have to sit tight till I reach the turn.

My focus shifts to Mary and the policeman and the joggers from the park. Why were they shot? How did the gangster know Mary would be there? Could Karen possibly be involved in the park thing? Though I’m resigning myself to the fact that she used me and may have ruined my life, I’m still having trouble believing she’s a cold, calculating killer.

But Karen almost has to be involved to some extent. Could she have formulated the extortion plan? If she did, I wonder if maybe the gangster hijacked her plan. He told me he wanted me to know he means business. Kidnapping me and stealing my car would have convinced me of that. If he’s trying to extort money from me, why not give a warning first or make some sort of demand?

Why would he kill Mary? She’s completely innocent.

My inner voice says, What if Mary was in on it? What if she changed her mind at the last minute and they killed her to keep her quiet?

My inner voice always assumes the worst. But no, Mary’s a good— was a good friend. I always suspected she liked me far more than she liked her own sister. She wouldn’t have turned on me for the money.

But my inner voice isn’t through with me. It hits me below the belt with a question that sends me reeling: What if Rachel is involved?

Chapter 8

I think about that. If Rachel found out about Karen, she’d blow a gasket. She’d demand a divorce. But all we’d be splitting is our highly mortgaged mansion and the small amount I earn legally—not enough. So Mary suggests killing me, but Rachel says killing me would do her no good, since all my income is generated by what I do personally. If I were dead, all she’d get is the small amount of money in our bank account. So they hatch a plan to extort money from me. Mary gets a gangster involved, and he kills her to keep her quiet.

If this is how it went down, Rachel wouldn’t know that Mary had been killed.

I shake off these thoughts. In my heart, I don’t believe Rachel or Mary had anything to do with today’s horrible events. I think Karen started something that quickly got out of control, and as a result, Mary’s dead and Rachel is lying on the floor in my kitchen.

I wonder what happened to Rachel. I wonder who did it and why. I speed up at the Blankenbaker exit, squealing my tires on the wide, looping ramp. I glance at my watch. I’m sure she’s not hurt. Scared, sure, that’s a given. But they didn’t hurt her. They wouldn’t hurt Rachel.

Not until they get the money.

I make the light and shift into third. The gangster bought Rachel a replacement bra. He wouldn’t have done that unless he’d expected her to be able to wear it.

Unless it’s for her burial.

I feel the stomach juices boiling in my gut. I look at my watch again. I’ll know what happened to Rachel in about … four minutes.

This is not about the affair. Follow the money. They killed Mary to show me what they’re capable of. They physically manipulated and photographed my wife to demonstrate their ability to invade my house. The “K” and “V” prove they have something on me, something that can be used to disrupt my marriage.

It’s a lot to take in, but don’t kid yourself, Sammy Boy; this is about the money. They decided a warning wouldn’t do. A demand wouldn’t have the proper impact. So they’re putting on a show of violence and threats, and the implication is obvious: play ball and we won’t tell Rachel about Karen; play ball and Rachel gets to live.

Okay, so if I’m right, if this is a warning, Rachel is probably okay. Maybe she’s been drugged, and if so, I’ll be able to untie her, destroy the bra, and get her back in bed. But yes, they are definitely serious. They’ve already killed Mary. Have I fully comprehended the enormity of that statement? They’ve killed Rachel’s sister, murdered her in cold blood, right before my eyes.

I’m two blocks away from my wife now, and my first thought is to circle the block and make sure no one is waiting for me. Then I realize how stupid this sounds because I’ve still got the only red Audi R8 in town. If they’ve put me at the scene, I’m toast, whether I circle the block or not.

I roar into my driveway, press the remote door button, and enter the garage. I press the button again to close the door behind me. No sense in making it too easy for the cops to know I’m home.

I climb the four steps to the landing, enter the code to unlock the door, and hit the hall running. My house is huge—13,000 square feet—but the kitchen is only steps away. I turn into the opening and see the large granite island in the center of the room. The island is four feet high, fourteen feet long, and six feet wide. It’s called a granite island, but only the top is granite. The base is wood, with cabinets on this side and bar stools on the other. From the angle of the photograph, I know that Rachel is lying on the other side, just past the bar stools, hidden from my current view.

I suddenly think, What if someone is crouching down, waiting there for me? Before I go to her, I call out, “Rachel?” I don’t expect her to answer in anything but a muffled voice, but I’m more than a little alarmed to receive no response at all. I raise my voice and try again, but again, I’m met with an eerie silence.

I hesitate. The voice inside my head screams, It’s a trap! I think about it a moment. What should I do? I can’t save Rachel if I’m dead. The more I think about it, the more I believe this situation does have all the earmarks of a trap. But if it’s a trap, why not just jump up from behind the island and riddle my body with bullets?