Toni Morrison - Sula

Nel was the one person who had wanted nothing from her, who had accepted all aspects of her. Now she wanted everything, and all because of that. Nel was the first person who had been real to her, whose name she knew, who had seen as she had the slant of life that made it possible to stretch it to its limits. Now Nel was one of them. One of the spiders whose only thought was the next rung of the web, who dangled in dark dry places suspended by their own spittle, more terrified of the free fall than the snake’s breath below. Their eyes so intent on the wayward stranger who trips into their net, they were blind to the cobalt on their own backs, the moonshine fighting to pierce their corners. If they were touched by the snake’s breath, however fatal, they were merely victims and knew how to behave in that role (just as Nel knew how to behave as the wronged wife). But the free fall, oh no, that required—demanded—invention: a thing to do with the wings, a way of holding the legs and most of all a full surrender to the downward flight if they wished to taste their tongues or stay alive. But alive was what they, and now Nel, did not want to be. Too dangerous. Now Nel belonged to the town and all of its ways. She had given herself over to them, and the flick of their tongues would drive her back into her little dry corner where she would cling to her spittle high above the breath of the snake and the fall.

It had surprised her a little and saddened her a good deal when Nel behaved the way the others would have. Nel was one of the reasons she had drifted back to Medallion, that and the boredom she found in Nashville, Detroit, New Orleans, New York, Philadelphia, Macon and San Diego. All those cities held the same people, working the same mouths, sweating the same sweat. The men who took her to one or another of those places had merged into one large personality: the same language of love, the same entertainments of love, the same cooling of love. Whenever she introduced her private thoughts into their rubbings or goings, they hooded their eyes. They taught her nothing but love tricks, shared nothing but worry, gave nothing but money. She had been looking all along for a friend, and it took her a while to discover that a lover was not a comrade and could never be—for a woman. And that no one would ever be that version of herself which she sought to reach out to and touch with an ungloved hand. There was only her own mood and whim, and if that was all there was, she decided to turn the naked hand toward it, discover it and let others become as intimate with their own selves as she was.

In a way, her strangeness, her naïveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings; had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like any artist with no art form, she became dangerous.

She had lied only once in her life—to Nel about the reason for putting Eva out, and she could lie to her only because she cared about her. When she had come back home, social conversation was impossible for her because she could not lie. She could not say to those old acquaintances, “Hey, girl, you looking good,” when she saw how the years had dusted their bronze with ash, the eyes that had once opened wide to the moon bent into grimy sickles of concern. The narrower their lives, the wider their hips. Those with husbands had folded themselves into starched coffins, their sides bursting with other people’s skinned dreams and bony regrets. Those without men were like sour-tipped needles featuring one constant empty eye. Those with men had had the sweetness sucked from their breath by ovens and steam kettles. Their children were like distant but exposed wounds whose aches were no less intimate because separate from their flesh. They had looked at the world and back at their children, back at the world and back again at their children, and Sula knew that one clear young eye was all that kept the knife away from the throat’s curve.

She was pariah, then, and knew it. Knew that they despised her and believed that they framed their hatred as disgust for the easy way she lay with men. Which was true. She went to bed with men as frequently as she could. It was the only place where she could find what she was looking for: misery and the ability to feel deep sorrow. She had not always been aware that it was sadness that she yearned for. Lovemaking seemed to her, at first, the creation of a special kind of joy. She thought she liked the sootiness of sex and its comedy; she laughed a great deal during the raucous beginnings, and rejected those lovers who regarded sex as healthy or beautiful. Sexual aesthetics bored her. Although she did not regard sex as ugly (ugliness was boring also), she liked to think of it as wicked. But as her experiences multiplied she realized that not only was it not wicked, it was not necessary for her to conjure up the idea of wickedness in order to participate fully. During the lovemaking she found and needed to find the cutting edge. When she left off cooperating with her body and began to assert herself in the act, particles of strength gathered in her like steel shavings drawn to a spacious magnetic center, forming a tight cluster that nothing, it seemed, could break. And there was utmost irony and outrage in lying under someone, in a position of surrender, feeling her own abiding strength and limitless power. But the cluster did break, fall apart, and in her panic to hold it together she leaped from the edge into soundlessness and went down howling, howling in a stinging awareness of the endings of things: an eye of sorrow in the midst of all that hurricane rage of joy. There, in the center of that silence was not eternity but the death of time and a loneliness so profound the word itself had no meaning. For loneliness assumed the absence of other people, and the solitude she found in that desperate terrain had never admitted the possibility of other people. She wept then. Tears for the deaths of the littlest things: the castaway shoes of children; broken stems of marsh grass battered and drowned by the sea; prom photographs of dead women she never knew; wedding rings in pawnshop windows; the tidy bodies of Cornish hens in a nest of rice.

When her partner disengaged himself, she looked up at him in wonder trying to recall his name; and he looked down at her, smiling with tender understanding of the state of tearful gratitude to which he believed he had brought her. She waiting impatiently for him to turn away and settle into a wet skim of satisfaction and light disgust, leaving her to the postcoital privateness in which she met herself, welcomed herself, and joined herself in matchless harmony.

At twenty-nine she knew it would be no other way for her, but she had not counted on the footsteps on the porch, and the beautiful black face that stared at her through the blue-glass window. Ajax.

Looking for all the world as he had seventeen years ago when he had called her pig meat. He was twenty-one then, she twelve. A universe of time between them. Now she was twenty-nine, he thirty-eight, and the lemon-yellow haunches seemed not so far away after all.

She opened the heavy door and saw him standing on the other side of the screen door with two quarts of milk tucked into his arms like marble statues. He smiled and said, “I been lookin’ all over for you.”

“Why?” she asked.

“To give you these,” and he nodded toward one of the quarts of milk.

“I don’t like milk,” she said.

“But you like bottles don’t you?” He held one up. “Ain’t that pretty?”

And indeed it was. Hanging from his fingers, framed by a slick blue sky, it looked precious and clean and permanent. She had the distinct impression that he had done something dangerous to get them.

Sula ran her fingernails over the screen thoughtfully for a second and then, laughing, she opened the screen door.

Ajax came in and headed straight for the kitchen. Sula followed slowly. By the time she got to the door he had undone the complicated wire cap and was letting the cold milk run into his mouth.

Sula watched him—or rather the rhythm in his throat—with growing interest. When he had had enough, he poured the rest into the sink, rinsed the bottle out and presented it to her. She took the bottle with one hand and his wrist with the other and pulled him into the pantry. There was no need to go there, for not a soul was in the house, but the gesture came to Hannah’s daughter naturally. There in the pantry, empty now of flour sacks, void of row upon row of canned goods, free forever of strings of tiny green peppers, holding the wet milk bottle tight in her arm she stood wide-legged against the wall and pulled from his track-lean hips all the pleasure her thighs could hold.

He came regularly then, bearing gifts: clusters of black berries still on their branches, four meal-fried porgies wrapped in a salmon-colored sheet of the Pittsburgh Courier, a handful of jacks, two boxes of lime Jell-Well, a hunk of ice-wagon ice, a can of Old Dutch Cleanser with the bonneted woman chasing dirt with her stick; a page of Tillie the Toiler comics, and more gleaming white bottles of milk.

Contrary to what anybody would have suspected from just seeing him lounging around the pool hall, or shooting at Mr. Finley for beating his own dog, or calling filthy compliments to passing women, Ajax was very nice to women. His women, of course, knew it, and it provoked them into murderous battles over him in the streets, brawling thick-thighed women with knives disturbed many a Friday night with their bloodletting and attracted whooping crowds. On such occasions Ajax stood, along with the crowd, and viewed the fighters with the same golden-eyed indifference with which he watched old men playing checkers. Other than his mother, who sat in her shack with six younger sons working roots, he had never met an interesting woman in his life.

His kindness to them in general was not due to a ritual of seduction (he had no need for it) but rather to the habit he acquired in dealing with his mother, who inspired thoughtfulness and generosity in all her sons.

She was an evil conjure woman, blessed with seven adoring children whose joy it was to bring her the plants, hair, underclothing, fingernail parings, white hens, blood, camphor, pictures, kerosene and footstep dust that she needed, as well as to order Van Van, High John the Conqueror, Little John to Chew, Devil’s Shoe String, Chinese Wash, Mustard Seed and the Nine Herbs from Cincinnati. She knew about the weather, omens, the living, the dead, dreams and all illnesses and made a modest living with her skills. Had she any teeth or ever straightened her back, she would have been the most gorgeous thing alive, worthy of her sons’ worship for her beauty alone, if not for the absolute freedom she allowed them (known in some quarters as neglect) and the weight of her hoary knowledge.

This woman Ajax loved, and after her—airplanes. There was nothing in between. And when he was not sitting enchanted listening to his mother’s words, he thought of airplanes, and pilots, and the deep sky that held them both. People thought that those long trips he took to large cities in the state were for some sophisticated good times they could not imagine but only envy; actually he was leaning against the barbed wire of airports, or nosing around hangars just to hear the talk of the men who were fortunate enough to be in the trade. The rest of the time, the time he was not watching his mother’s magic or thinking of airplanes, he spent in the idle pursuits of bachelors without work in small towns. He had heard all the stories about Sula, and they aroused his curiosity. Her elusiveness and indifference to established habits of behavior reminded him of his mother, who was as stubborn in her pursuits of the occult as the women of Greater Saint Matthew’s were in the search for redeeming grace. So when his curiosity was high enough he picked two bottles of milk off the porch of some white family and went to see her, suspecting that this was perhaps the only other woman he knew whose life was her own, who could deal with life efficiently, and who was not interested in nailing him.

Sula, too, was curious. She knew nothing about him except the word he had called out to her years ago and the feeling he had excited in her then. She had grown quite accustomed to the clichés of other people’s lives as well as her own increasing dissatisfaction with Medallion. If she could have thought of a place to go, she probably would have left, but that was before Ajax looked at her through the blue glass and held the milk aloft like a trophy.

But it was not the presents that made her wrap him up in her thighs. They were charming, of course (especially the jar of butterflies he let loose in the bedroom), but her real pleasure was the fact that he talked to her. They had genuine conversations. He did not speak down to her or at her, nor content himself with puerile questions about her life or monologues of his own activities. Thinking she was possibly brilliant, like his mother, he seemed to expect brilliance from her, and she delivered. And in all of it, he listened more than he spoke. His clear comfort at being in her presence, his lazy willingness to tell her all about fixes and the powers of plants, his refusal to baby or protect her, his assumption that she was both tough and wise—all of that coupled with a wide generosity of spirit only occasionally erupting into vengeance sustained Sula’s interest and enthusiasm.

His idea of bliss (on earth as opposed to bliss in the sky) was a long bath in piping-hot water—his head on the cool white rim, his eyes closed in reverie.

“Soaking in hot water give you a bad back.” Sula stood in the doorway looking at his knees glistening just at the surface of the soap-gray water.

“Soaking in Sula give me a bad back.”

“Worth it?”

“Don’t know yet. Go ’way.”

“Airplanes?”

“Airplanes.”

“Lindbergh know about you?”

“Go ’way.”

She went and waited for him in Eva’s high bed, her head turned to the boarded-up window. She was smiling, thinking how like Jude’s was his craving to do the white man’s work, when two deweys came in with their beautiful teeth and said, “We sick.”

Sula turned her head slowly and murmured, “Get well.”

“We need some medicine.”

“Look in the bathroom.”

“Ajax in there.”

“Then wait.”

“We sick now.”

Sula leaned over the bed, picked up a shoe and threw it at them.

“Cocksucker!” they screamed, and she leaped out of the bed naked as a yard dog. She caught the redheaded dewey by his shirt and held him by the heels over the banister until he wet his pants. The other dewey was joined by the third, and they delved into their pockets for stones, which they threw at her. Sula, ducking and tottering with laughter, carried the wet dewey to the bedroom and when the other two followed her, deprived of all weapons except their teeth, Sula had dropped the first dewey on the bed and was fishing in her purse. She gave each of them a dollar bill which they snatched and then scooted off down the stairs to Dick’s to buy the catarrh remedy they loved to drink.

Ajax came sopping wet into the room and lay down on the bed to let the air dry him. They were both still for a long time until he reached out and touched her arm.