Голос техники. Переход советского кино к звуку. 1928–1935 - Лиля Кагановская
Balio 2009 – Balio T United Artists, the Company Built by the Stars.
Madison: University of Wisconsin Press, 2009.
Barker 2009 – Barker J. The Tactile Eye: Touch and the Cinematic Experience. Berkeley: University of California Press, 2009.
Barrios 2010 – Barrios R. A Song in the Dark: The Birth of the Musical Film. Oxford: Oxford University Press, 2010.
Baudry 1974–1975 – Baudry J.-L. Ideological Effects of the Basic Cinematographic Apparatus // Film Quarterly. 1974–1975. Vol. 28. № 2. P. 39–47.
Bekman 2014 – Bekman Chadaga J. Optical Play: Glass, Vision, and Spectacle in Russian Culture. Evanston: Northwestern University Press, 2014.
Belton 1999 – Belton J. Awkward Transitions: Hitchcocks «Blackmail» and the Dynamics of Early Film Sound // The Musical Quarterly. 1999. Vol. 83. № 2. P. 227–246.
Birkos 1976 – Soviet Cinema: Directors and Films / Ed. by A. S. Birkos. Hamden, CT: Archon Books, 1976.
Bohlinger 2013 – Bohlinger V. The Development of Sound Technology in the Soviet Union during the First Five-Year Plan // Studies in Russian and Soviet Cinema. 2013. Summer. Vol. 7. № 2. P. 189–205.
Bonitzer 1975 – Bonitzer P. Les Silences de la voix // Cahiers du Cinema. 1975 (fevrier-mars). № 256. P. 22–33.
Bonitzer 1986 – Bonitzer P. The Silences of the Voice // Narrative, Apparatus, Ideology I Ed. by P. Rosen. New York: Columbia University Press, 1986. P. 319–334.
Bordwell et al. 1985 – Bordwell D., Staiger J., Thompson K. The Classic Hollywood Cinema: Film Style and Mode of Production to 1960. New York: Columbia University Press, 1985.
Bulgakowa 2003 – Bulgakowa O. Spatial Figures in Soviet Cinema of the 1930s II The Landscape of Stalinism I Ed. by E. Dobrenko, E. Naiman. Seattle: University of Washington Press, 2003. P. 51–76.
Bulgakowa 2008 – Bulgakowa O. The Ear against the Eye: Vertovs Symphony// Kieler Beitrage zur Filmmusikforschung. 2008. № 2. S. 142–158.
Butler 1993 – Butler J. Bodies That Matter: On the Discursive Limitations of «Sex». London: Routledge, 1993.
Caruth 1996 – Caruth C. Unclaimed Experience: Trauma, Narrative, and History. Baltimore: Johns Hopkins University Press, 1996.
Cavendish 2007 – Cavendish P. «Zemlia I Earth» // The Cinema of Russia and the Former Soviet Union / Ed. by B. Beumers. London: Wallflower Press, 2007. P. 57–60.
Cavendish 2013 – Cavendish P. The Men with the Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s. Oxford: Berghahn Books, 2013.
Chion 1982 – Chion M. La voix au cinema. Paris: Editions de 1’Etoile, 1982.
Chion 1999 – Chion M. The Voice in Cinema / Transl. by C. Gorbman. New York: Columbia University Press, 1999.
Chomentowski 2014 – Chomentowski G. Du cinema muet au cinema parlant. La politique des langues dans les films sovietiques // Cahiers du monde russe. 2014. T. 55. № 3. P. 295–320.
Christie 1982 – Christie I. Soviet Cinema: Making Sense of Sound // Screen. 1982. Vol. 23. № 2. P. 34–49.
Christie 1991 – Christie I. Making Sense of Soviet Sound // Inside the Film Factory: New Approaches to Russian and Soviet Cinema. London: Routledge, 1991. P. 176–192.
Clark 1981 – Clark K. The Soviet Novel: History As Ritual. Chicago: Chicago University Press, 1981.
Cohan 2001 – Hollywood Musicals: The Film Reader I Ed. by S. Cohan. New York: Routledge, 2001.
Cohan 2005 – Cohan S. Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical. Durham, NC: Duke University Press, 2005.
Cooke 2010 – The Hollywood Film Musical Reader / Ed. by M. Cooke. Oxford: Oxford University Press, 2010.
Crafton 1997 – Crafton D. The Talkies: American Cinemas Transition to Sound 1926–1931. Berkeley: University of California Press, 1997.
De Man 1984 – De Man P. Autobiography as De-Facement // De Man P. The Rhetoric of Romanticism. New York: Columbia University Press, 1984. P. 67–81.
Dickinson, de la Roche 1948 – Dickinson T, de la Roche C. Soviet Cinema. London: The Falcon Press Ltd., 1948.
Dickinson 2003 – Movie Music: The Film Reader I Ed. by K. Dickinson. New York: Routledge, 2003.
Doane 1980 – Doane M. A. The Voice in the Cinema: The Articulation of Body and Space // Yale French Studies. 1980. Vol. 60. Cinema I Sound. P. 33–50.
Durovicova 1992 – Durovicova N. Translating America: The Hollywood Multilinguals 1929–1933 // Sound Theory / Sound Practice / Ed. by R. Altman. New York: Routledge, 1992. P. 138–153.
Dyer 1988 – Dyer R. White // Screen. 1988. Vol. 29. № 4. October. P. 44–65.
Dyer 2002 – Dyer R. Entertainment and Utopia // Dyer R. Only Entertainment. 2nd ed. London: Routledge, 2002. P. 19–35.
Eyman 1997 – Eyman S. The Speed of Sound: Hollywood and the Talkie Revolution 1926–1930. New York: Simon and Schuster, 1997.
Feldman 1979 – Feldman S. Dziga Vertov: A Guide to References and Sources. Boston: G. K. Hall & Co., 1979.
Feldman 1984 – Feldman S. «Cinema Weekly» and «Cinema Truth»: Dziga Vertov and the Leninist Proportion // «Show Us Life!»: Toward a History and Aesthetics of the Committed Documentary. London: The Scarecrow Press, Inc., 1984. P. 3–20.
Feuer 1982 – Feuer J. The Hollywood Musical. Bloomington: Indiana University Press, 1982.
Fielding 1967– A Technological History of Motion Pictures and Television I Ed. by R. Fielding. Berkeley: UC Press, 1967.
Fisher 1977–1978 – Fisher L. Enthusiasm: From Kino-Eye to Radio-Eye // Film Quarterly. 1977–1978. Vol. 31. № 2. P. 25–34.
Freiberg 1987 – Freiberg F. The Transition to Sound in Japan // History on / and / in Film / Ed. by T. O’Regan, B. Shoesmith. Perth: History & Film Association of Australia, 1987. P. 76–80.
Gillespie 2003 – Gillespie D. C. The Sounds of Music: Soundtrack and Song in Soviet Film // Slavic Review. 2003. Vol. 62. № 3. Autumn. P. 473–490.
Glinsky 2000 – Glinsky A. Theremin: Ether Music and Espionage. Urbana: University of Illinois Press, 2000.
Gomery 2005 – Gomery D. The Coming of Sound: A History. New York: Routledge, 2005.
Graffy 2010 – Graffy J. Chapaev. KINOfiles Film Companion: In 12 vol. Vol. 12. London: I. B. Tauris, 2010.
Grierson 1976 – Grierson J. First Principles of Documentary (1932–1934) // Nonfiction Film Theory and Criticism / Ed. by R.