Илья Франк - Английский язык с Крестным Отцом

father was; a bit derogatory.

Carlo ignored the tone. "Mike knows what he's doing," he said. Rocco accepted the

rebuke in silence. Carlo said so long and walked back to the house. Something was up,

but Rocco didn't know what it was.

Michael stood in the window of his living room and watched Carlo strolling around the

mall. Hagen brought him a drink, strong brandy. Michael sipped at it gratefully. Behind

him, Hagen said, gently, "Mike, you have to start moving. It's time."

Michael sighed. "I wish it weren't so soon. I wish the old man had lasted a little

longer."

"Nothing will go wrong," Hagen said. "If I didn't tumble, then nobody did. You set it up

real good."

Michael turned away from the window. "The old man planned a lot of it. I never

realized how smart he was. But I guess you know."

"Nobody like him," Hagen said. "But this is beautiful. This is the best. So you can't be

too bad either."

"Let's see what happens," Michael said. "Are Tessio and Clemenza on the mall?"

Hagen nodded. Michael finished the brandy in his glass. "Send Clemenza in to me. I'll

instruct him personally. I don't want to see Tessio at all. Just tell him I'll be ready to go

to the Barzini meeting with him in about a half hour. Clemenza's people will take care of

him after that."

Hagen said in a noncommittal voice, "There's no way to let Tessio off the hook?"

"No way," Michael said.

Upstate in the city of Buffalo, a small pizza parlor on a side street was doing a rush

trade. As the lunch hours passed, business finally slackened off and the counterman

took his round tin tray with its few leftover slices out of the window and put it on the shelf

on the huge brick oven. He peeked into the oven at a pie baking there. The cheese had

not yet started to bubble. When he turned back to the counter that enabled him to serve

people in the street, there was a young, tough-looking man standing there. The man

said, "Gimme a slice."

The pizza counterman took his wooden shovel and scooped one of the cold slices into

the oven to warm it up. The customer, instead of waiting outside, decided to come

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through the door and be served. The store was empty now. The counterman opened

the oven and took out the hot slice and served it on a paper plate. But the customer,

instead of giving the money for it, was staring at him intently.

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"I hear you got a great tattoo on your chest," the customer said. "I can see the top of it

over your shirt, how about letting me see the rest of it?"

The counterman froze. He seemed to be paralyzed.

"Open your shirt," the customer said.

The counterman shook his head. "I got no tattoo," he said in heavily accented English.

"That's the man who works at night."

The customer laughed. It was an unpleasant laugh, harsh, strained.

"Come on, unbutton your shirt, let me see."

The counterman started backing toward the rear of the store, aiming to edge around the

huge oven. But the customer raised his hand above the counter. There was a gun in it.

He fired. The bullet caught the counterman in the chest and hurled him against the oven.

The customer

fired into his body again and the counterman slumped to the floor. The customer came

around the serving shelf, reached down and ripped the buttons off the shirt. The chest

was covered with blood, but the tattoo was visible, the intertwined lovers and the knife

transfixing them. The counterman raised one of his arms feebly as if to protect himself.

The gunman said, "Fabrizzio, Michael Corleone sends you his regards." He extended

the gun so that it was only a few inches from the counterman's skull and pulled the

trigger. Then he walked out of the store. At the curb a car was waiting for him with its

door open. He jumped in and the car sped off.

Rocco Lampone answered the phone installed on one of the iron pillars of the gate.

He heard someone saying, "Your package is ready," and the click as the caller hung up.

Rocco got into his car and drove out of the mall. He crossed the Jones Beach

Causeway, the same causeway on which Sonny Corleone had been killed, and drove

out to the railroad station of Wantagh. He parked his car there. Another car was waiting

for him with two men in it. They drove to a motel ten minutes farther out on Sunrise

Highway and turned into its courtyard. Rocco Lampone, leaving his two men in the car,

went to one of the little chalet-type bungalows. One kick sent its door flying off its hinges

and Rocco sprang into the room.

Phillip Tattaglia, seventy years old and naked as a baby, stood over a bed on which

lay a young girl. Phillip Tattaglia's thick head of hair was jet black, but the plumage of

his crotch was steel gray. His body had the soft plumpness of a bird. Rocco pumped

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four bullets into him, all in the belly. Then he turned and ran back to the car. The two

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men dropped him off in the Wantagh station. He picked up his car and drove back to the

mall. He went in to see Michael Corleone for a moment and then came out and took up

his position at the gate.

Albert Neri, alone in his apartment, finished getting his uniform ready. Slowly he put it

on, trousers, shirt, tie and jacket, holster and gunbelt. He had turned in his gun when he

was suspended from the force, but, through some administrative oversight they had not

made him give up his shield. Clemenza had supplied him with a new .38 Police Special

that could not be traced. Neri broke it down, oiled it, checked the hammer, put it

together again, clicked the trigger. He loaded the cylinders and was set to go.

He put the policeman's cap in a heavy paper bag and then put a civilian overcoat on

to cover his uniform. He checked his watch. Fifteen minutes before the car would be

waiting for him downstairs. He spent the fifteen minutes checking himself in the mirror.

There was no question. He looked like a real cop.

The car was waiting with two of Rocco Lampone's men in front. Neri got into the back

seat. As the car started downtown, after they had left the neighborhood of his apartment,

he shrugged off the civilian overcoat and left it on the floor of the car. He ripped open

the paper bag and put the police officer's cap on his head.

At 55th Street and Fifth Avenue the car pulled over to the curb and Neri got out. He

started walking down the avenue. He had a queer feeling being back in uniform,

patrolling the streets as he had done so many times. There were crowds of people. He

walked downtown until he was in front of Rockefeller Center, across the way from St.

Patrick's Cathedral. On his side of Fifth Avenue he spotted the limousine he was looking

for. It was parked, nakedly alone between a whole string of red NO PARKING and NO

STANDING signs. Neri slowed his pace. He was too early. He stopped to write

something in his summons book and then kept walking. He was abreast of the

limousine. He tapped its fender with his nightstick. The driver looked up in surprise. Neri

pointed to the NO STANDING sign with his stick and motioned the driver to move his

car. The driver turned his head away.

Neri walked out into the street so that he was standing by the driver's open window.

The driver was a tough-looking hood, just the kind he loved to break up. Neri said with

deliberate insultingness, "OK, wise guy, you want me to stick a summons up your ass or

do you wanta get moving?"

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The driver said impassively, "You better check with your precinct. Just give me the

ticket if it'll make you feel happy."

"Get the hell out of here," Neri said, "or I'll drag you out of that car and break your

ass."

The driver made a ten-dollar bill appear by some sort of magic, folded it into a little

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square using just one hand, and tried to shove it inside Neri's blouse. Neri moved back

onto the sidewalk and crooked his finger at the driver. The driver came out of the car.

"Let me see your license and registration," Neri said. He had been hoping to get the

driver to go around the block but there was no hope for that now. Out of the corner of

his eye, Neri saw three short, heavyset men coming down the steps of the Plaza

building, coming down toward the street. It was Barzini himself and his two bodyguards,

on their way to meet Michael Corleone. Even as he saw this, one of the bodyguards

peeled off to come ahead and see what was wrong with Barzini's car.

This man asked the driver, "What's up?"

The driver said curtly, "I'm getting a ticket, no sweat. This guy must be new in the

precinct."

At that moment Barzini came up with his other bodyguard. He growled, "What the hell

is wrong now?"

Neri finished writing in his summons book and gave the driver back his registration

and license. Then he put his summons book back in his hip pocket and with the forward

motion of his hand drew the .38 Special.

He put three bullets in Barzini's barrel chest before the other three men unfroze

enough to dive for cover. By that time Neri had darted into the crowd and around the

corner where the car was waiting for him. The car sped up to Ninth Avenue and turned

downtown. Near Chelsea Park, Neri, who had discarded the cap and put on the

overcoat and changed clothing, transferred to another car that was waiting for him. He

had left the gun and the police uniform in the other car. It would be gotten rid of. An hour

later he was safely in the mall on Long Beach and talking to Michael Corleone.

Tessio was waiting in the kitchen of the old Don's house and was sipping at a cup of

coffee when Tom Hagen came for him. "Mike is ready for you now," Hagen said. "You

better make your call to Barzini and tell him to start on his way."

Tessio rose and went to the wall phone. He dialed Barzini's office in New York and

said curtly, "We're on our way to Brooklyn." He hung up and smiled at Hagen. "I hope

Mike can get us a good deal tonight."

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240

Hagen said gravely, "I'm sure he will." He escorted Tessio out of the kitchen and onto

the mall. They walked toward Michael's house. At the door they were stopped by one of

the bodyguards. "The boss says he'll come in a separate car. He says for you two to go

on ahead."

Tessio frowned and turned to Hagen. "Hell, he can't do that; that screws up all my

arrangements."

At that moment three more bodyguards materialized around them. Hagen said gently,

"I can't go with you either, Tessio."

The ferret-faced caporegime understood everything in a flash of a second. And

accepted it. There was a moment of physical weakness, and then he recovered. He

said to Hagen, "Tell Mike it was business, I always liked him."

Hagen nodded. "He understands that."

Tessio paused for a moment and then said softly, "Tom, can you get me off the hook?

For old times' sake?"

Hagen shook his head. "I can't," he said.

He watched Tessio being surrounded by bodyguards and led into a waiting car. He

felt a little sick. Tessio had been the best soldier in the Corleone Family; the old Don

had relied on him more than any other man with the exception of Luca Brasi. It was too

bad that so intelligent a man had made such a fatal error in judgment so late in life.

Carlo Rizzi, still waiting for his interview with Michael, became jittery with all the

arrivals and departures. Obviously something big was going on and it looked as if he

were going to be left out. Impatiently he called Michael on the phone. One of the house

bodyguards answered, went to get Michael, and came back with the message that

Michael wanted him to sit tight, that he would get to him soon.

Carlo called up his mistress again and told her he was sure he would be able to take

her to a late supper and spend the night. Michael had said he would call him soon,

whatever he had planned couldn't take more than an hour or two. Then it would take

him about forty minutes to drive to Westbury. It could be done. He promised her he

would do it and sweet-talked her into not being sore. When he hung up he decided to

get properly dressed so as to save time afterward. He had just slipped into a fresh shirt

when there was a knock on the door. He reasoned quickly that Mike had tried to get him

on the phone and had kept getting a busy signal so had simply sent a messenger to call

him. Carlo went to the door and opened it. He felt his whole body go weak with terrible

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241

sickening fear. Standing in the doorway was Michael Corleone, his face the face of that

death Carlo Rizzi saw often in his dreams.

Behind Michael Corleone were Hagen and Rocco Lampone. They looked grave, like

people who had come with the utmost reluctance to give a friend bad news. The three

of them entered the house and Carlo Rizzi led them into the living room. Recovered

from his first shock, he thought that he had suffered an attack of nerves. Michael's

words made him really sick, physically nauseous.

"You have to answer for Santino," Michael said.

Carlo didn't answer, pretended not to understand. Hagen and Lampone had split

away to opposite walls of the room. He and Michael faced each other.

"You fingered Sonny for the Barzini people," Michael said, his voice flat. "That little

farce you played out with my sister, did Barzini kid you that would fool a Corleone?"

Carlo Rizzi spoke out of his terrible fear, without dignity, without any kind of pride. "I

swear I'm innocent. I swear on the head of my children I'm innocent. Mike, don't do this

to me, please, Mike, don't do this to me."

Michael said quietly, "Barzini is dead. So is Phillip Tattaglia. I want to square all the

Family accounts tonight. So don't tell me you're innocent. It would be better for you to

admit what you did."