Исследования хоррора. Обновления жанра в XXI веке - Александр В. Павлов
Grief in Contemporary Horror Cinema. Screening Loss / Dymond E. J. (ed.). London: Lexington Books, 2023.
Grodal T. Video Games and the Pleasures of Control // Media Entertainment: The Psychology of Its Appeal / Zillman D., Vorderer P. (eds.). Mahwah: Lawrence Erlbaum, 2000.
Hall B. An Ethical Guidebook to the Zombie Apocalypse. How to Keep Your Brain without Losing Your Heart. New York: Bloomsbury Publishing, 2019.
Hammond C. We Are Not Who We Are: Metahorror’s Examination of Genre and Audience // The Ashen Egg: A Journal of Undergraduate English Scholarship. 2015. 3.
Hanich J. Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear. New York: Routledge, 2010.
Hansen R. Stephen King’s It and Dreamcatcher on Screen: Hegemonic White Masculinity and Nostalgia for Underdog Boyhood // Science Fiction Film and Television. 2017. Vol. 10. 2.
Hantke S. Introduction // American Horror Film: The Genre at the Turn of the Millennium / Hantke S. (ed.). Jackson: University of Mississippi Press, 2010.
Hantke S. Historicizing the Bush Years: Politics, Horror Film, and Francis Lawrence’s I Am Legend // Horror After 9/11: World of Fear, Cinema of Terror / Briefel A., Miller S. (eds.). Austin: University of Texas Press, 2011.
Harvey B. Night of the Living Dead. London: Bloomsbury, 2020.
Hawkins J. Cutting Edge: Art-Horror and the Horrific Avant-Garde. Minneapolis, MN: University of Minnesota Press, 2000.
Hawkins S. Deleuze and the Gynesis of Horror. From Monstrous Births to the Birth of the Monster. New York: Bloomsbury Academic, 2020.
Haynes L. The Evil Dead. Liverpool: Liverpool University Press, 2021.
Hayward S. Cinema studies: the key concepts. Second edition. London – New York: Routledge, 2000.
Heise-von der Lippe A. Posthuman Gothic // Twenty-First-Century Gothic. An Edinburgh Companion / Wester M., Aldana Reyes X. (eds.) Edinburgh: Edinburgh University Press, 2019.
Heller-Nicholas A. Found footage horror films: fear and the appearance of reality. Jefferson, NC: McFarland, 2014.
Herbert D. Evil Spawn or Good Business? New Line Cinema, Critters, and Film Franchising at the Margins // The Franchise Era: Managing Media in the Digital Economy / Fleury J., Hartzheim B. H., Mamber S. (eds.). Edinburgh: Edinburgh University Press, 2019.
Hill R. Mapping The Twilight Zone’s cultural and mythological terrain // The essential science fiction television reader / Telotte J. P. (ed.). Lexington: University Press of Kentucky, 2008.
Hills M. Cutting into Concepts of «Reflectionist» Cinema? The Saw Franchise and Puzzles of Post-9/11 Horror // Horror After 9/11: World of Fear, Cinema of Terror / Briefel A., Miller S. (eds.). Austin: University of Texas Press, 2011.
Hills M. The pleasures of horror. New York: Continuum, 2005.
Hong Kong horror cinema / Bettinson G., Martin D. (eds.). Edinburgh: Edinburgh University Press, 2019.
Horror After 9/11: World of Fear, Cinema of Terror / Briefel A., Miller S. (eds.). Austin: University of Texas Press, 2011.
Horror cinema / Duncan P., Jurgen M. (eds.). Koln: Taschen, 2020.
Horror Franchise Cinema / McKenna M., Proctor W. (eds.). London – New York: Routledge, 2022.
Horror Video Games. Essays on the Fusion of Fear and Play / Perron B. (ed.). Jefferson, NC: McFarland, 2009.
Horror zone: the cultural experience of contemporary horror cinema / Conrich I. (ed.). London: I. B. Tauris, 2010.
Horsley L. The Noir Thriller. London: Palgrave Macmillan, 2009.
Hutcheon L. A. Theory of Adaptation. London: Routledge, 2006.
Hutchings P. The Horror Film. London: Routledge, 2004.
Jackson K. Technology, Monstrosity, and Reproduction in Twenty-First Century Horror. London: Palgrave Macmillan US, 2013.
Jancovich M. Horror: the film reader. London – New York: Routledge, 2002.
Jones A. The rough guide to horror movies. London: Rough Guides, 2005.
Jones S. Torture porn: popular horror after Saw. Basingstoke: Palgrave Macmillan, 2013.
Jones S. The Metamodern Slasher Film. Edinburgh: Edinburgh University Press, 2024.
Jones T. Folk Horror and the Globalgothic // The Edinburgh Companion to Globalgothic / Duncan R. (ed.). Edinburgh: Edinburgh University Press, 2023.
Jordan Peele’s Get Out: Political Horror / Keetley D. (ed.). Columbus: The Ohio State University Press, 2020.
Kac-Vergne M. David Roche, Making and Remaking Horror in the 1970s and 2000s: Why Don’t They Do It Like They Used To? // Transatlantica. Revue d’études américaines. American Studies Journal [Online]. 2015. 1 // https://journals.openedition.org/transatlantica/7420 (проверено: 25.08.2024).
Kannas A. Giallo! genre, modernity, and detection in Italian horror cinema. Albany: SUNY Press, 2021.
Kavanagh J. «Disobedient Women» and Malicious Men: A Comparative Assessment of the Politics of Black Christmas (1974) and (2019) // Blumhouse Productions: The New House of Horror / McCollum V., Platts T. K., Clasen, M. (eds.). Cardiff: University of Wales Press, 2022.
Keetley D. We’re All Infected. Essays on AMC’s The Walking Dead and the Fate of the Human. Jefferson, NC: McFarland, 2014.
Keetley D. Introduction: Defining Folk Horror // Revenant: Critical and Creative Studies of the Supernatural. 2019. 5.
Keetley D. The Lord of Misrule – Paint-by-Numbers Folk Horror. 2023a // https://www.horrorhomeroom.com/the-lord-of-misrule-paint-by-numbers-folk-horror/ (проверено: 25.08.2024).
Keetley D. Folk Gothic. Cambridge: Cambridge University Press, 2023b.
Keetley D., Heholt R. Introduction // Folk Horror: New Global Pathways / Keetley D., Heholt R. (eds.). Cardiff: University of Wales Press, 2023.
Kellner D. Media Culture: Cultural Studies, Identity and Politics between the Modern and the Post-modern. London – New York: Routledge, 1995.
Kellner D. Media Culture. Cultural Studies, Identity, and Politics in the Contemporary Moment. London – New York: Routledge, 2020.
Kendrick J. Film violence: history, ideology, genre. London – New York: Wallflower, 2009.
Kerner A. M. Torture Porn in the Wake of 9/11: Horror, Exploitation, and the Cinema of Sensation. New Brunswick – New Jersey – London: Rutgers University Press, 2015.
King H. The Host Versus Cloverfield // Horror After 9/11: World of Fear, Cinema of Terror / Briefel A., Miller S. (eds.). Austin: University of Texas Press, 2011.
Knickerbocker D. Why Zombies Matter: The Undead as Critical Posthumanist // Bohemia Literrata. 2015. 18 (2).
Knight J. There’s No Such Thing as an «Elevated Horror Movie» (And Yes, «Hereditary» is a Horror Movie). 2018 // https://www.slashfilm.com/elevated-horror/ (проверено: 30.08.2024).
Knoppler C. The Monster Always Returns American Horror Films and Their Remakes. Bielefeld: Transcript, 2017.
Koetting C. T. Retro Screams: Terror in