Искусство аутсайдеров и авангард - Анна Ароновна Суворова

Breton A. l’ Art des fous, la clef des champs / Andre Breton // Cahiefs de la Pleiade. (Paris). 1948. № 6. P. 101–103. URL: http://www.andrebreton.fr/work/56600100969690.

Breton A. Le Message automatique // Minotaure. № 3/4. Paris: A. Skira, 1933.

Breton A. Le surrealisme et la peinture. Paris: Gallimard, 1965.

Breton A. Nadja / Andre Breton. New York (NY): Grove Press; Atlantic Monthly Press, 1960.

Cardinal R. Ars sub rosa // The Champernowne Trust. Papers presented at the Annual Forum. Axbridge, UK: The Axbridge Bookshop, 1987. Р. 22–28.

Cardinal R. Outsider Art and the autistic creator // Phil. Trans. R. Soc. B. 2009. № 364. P. 1459–1466. URL: http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.842.9368&rep=rep1&type=pdf.

Cardinal R. Outsider Art. London: Studio Vista; New York: Praeger Publishers, 1972.

Cardinal R. Drawing without words: the case of Nadia // Comparison. 1979. № 10. P. 3–21.

Cardinal R. The calendars of George Widener // Raw Vision. 2005. № 51. P. 42–47.

Collection de l’ art brut Lausanne. URL: https://www.artbrut.ch/.

Collins English Dictionary Complete and Unabridged edition. 12th edition. Glazgow: Harper Collins Publishers, 2014. URL: https://www.collinsdictionary.com/dictionary/english/outsider-art.

Conley K. Robert Desnos, Surrealism, and the Marvelous in Everyday Life. Lincoln, NE: University of Nebraska Press, 2003.

Conley K. Surrealism and Outsider Art: From the «Automatic Message» to André Breton’s Collection // Yale French Studies. 2006. № 109. Surrealism and Its Others. P. 129–143.

Outliers and American Vanguard Art / Ed. L. Cooke. Chicago: University of Chicago Press, 2018.

Dali S. The Conquest of the Irrational. New-York (NY): Publisher Julien Levy, 1935. URL: https://archive.org/details/DaliConquestIrrational.

Dali S. The Secret Life of Salvador Dali. London: Vision Press, 1968.

Dali S. Declaration of the Independence of the Imagination and the Rights of Man to His Own Madness. Pampflet. New York, 1939. URL: http://collections.vam.ac.uk/item/O1309656/declaration-of-the-independence-of-dali-salvador/.

Danto A. The Artworld // Journal of Philosophy. 1964. № 61. P. 571–584.

DARGERism Contemporary Artists and Henry Darger April 15 through September 21, 2008. New York: American Folk Art Museum, 2008. URL: https://folkartmuseum.org/content/uploads/2014/10/Dargerism.pdf.

De Stadshof Collection. URL: https://www.collectiedestadshof.nl/en/.

DeCarlo T. Outsider Biographies vs. Outsider Art / Tessa DeCarlo // Raw Vision. 2002. № 41. P. 22–27.

Deleuze G. The Schizophrenic and Language: Surface and Depth in Lewis Carroll and Antonin Artaud. Ithaca, NY: Cornell University Press, 1979.

Deri M. Die Kubisten und der Expressionismus // Pan. 1912. № 31. 20 Juny. P. 872–878.

Dewhurst K. C. Religious folk art in America: reflections of faith. New York: Museum of American Folk Art, 1983.

Di Cristofano P. Fritz Mohr (1874–1957): Leben, Werk und Bedeutung für die psychosomatische Medizin; eine Ergobiographie in Umrissen. Würzburg: Königshausen & Neumann, 2006.

Dictionary of the English Language. Fifth Edition. Boston: Houghton Mifflin Harcourt Publishing Company, 2016. URL: https://www.thefreedictionary.com/outsider+art.

Dossier pédagogique Adolf Wölfli Univers — LaM — Lille Métropole Musée d’ art moderne, d’ art contemporain et d’ art brut. URL: http://www.musee-lam.fr/wp-content/uploads/2011/05/dossier_pedagogique_Adolf_Wolfli_V3.pdf.

Dubuffet J. Asphyxiating Culture and other Writings. New York: Four Walls Eight Windows, 1986.

Dubuffet J. Honneur aux valeurs sauvages // L’ homme du commun à l’ ouvrage / Préface de J. Berne. Paris: Gallimard, «Idées», 1973. P. 110–128.

Dubuffet J. Positions anticulturelles // Costa D. V., Hergott F. Jean Dubuffet. Paris: Hazan, 2006. P. 114–119.

Eggum A. Edvard Munch: Paintings, Sketches, and Studies. Clarkson Potter, 1984.

Engstrom E. J. Emil Kraepelin. Leben und Werk des Psychiaters in Spannungsfeld zwischen positivistischer Wissenschaft und Irrationalität. München: Universität München Ludwig-Maximilian, 1990. URL: http://www.engstrom.de/KRAEPELINBIOGRAPHY.pdf.

Ernst Josephson in National Museum. Stockholm, Sweden. URL: http://emp-web-84.zetcom.ch/eMP/eMuseumPlus?service=ExternalInterface &module=artist&objectId=7499.

European Association for Outsider Art. URL: http://www.outsiderartassociation.eu/index.php?option=com_content&view= article&id=10&line=bg_rod.png.

Fant Å. Okkultismus und Abstraktion, die Malerin Hilma af Klint. Wien: Albertina, 1992.

Fant Å. Secret Pictures by Hilma af Klint. Helsinki-Helsingfors: The Nordic Arts Centre, 1988–1989.

Fantastic art, dada, surrealism / Ed. A. H. Jr. Barr. New York: Museum of Modern Art, 1936.

Fine G. Everyday Genius: Self-Taught Art and the Politics of Representation. Chicago, 2004.

Foster H. Blinded Insights: On the Modernist Reception of the Arts of the Mentally Ill // October. 2001. № 97. P. 3–30.

Freitag M. Wolfgang. Art Books: A Basic Bibliography of Monographs on Artists. London: Routledge, 2013.

Gaia Museum Outsider Art. URL: http://www.gaiamuseum.dk/en/.

Gilman S. L. Seeing the insane. Lincoln, NE: University of Nebraska Press, 1982.

Gilman S. The mad as artists: medicine, history and degenerate art // Journal of Contemporary History. 1985. № 20. P. 575–597. URL: https://archive.org/stream/degenerateartfa00barr/degenerateartfa00barr_djvu.txt.

Gilman S. L. Electrotherapy and mental illness: then and now // History of Psychiatry, SAGE Publications. 2008. Vol. 19 (3). P. 339–357.

Girardot N. J. Visual Culture and Religion: Outsider Art // Encyclopedia of Religion. 2005. URL: https://www.encyclopedia.com/environment/encyclopedias-almanacs-transcripts-and-maps/visual-culture-and-religion-outsider-art.

Glossary of Art Terms. 2014. URL: http://art_glos.enacademic.com/2036/outsider_art.

Glossolalia: Languages of Drawing. URL: https://www.moma.org/calendar/exhibitions/69.

Goldwater R. J. Primitivism in Modern Art. Harvard University Press, 1986.

Gordon D. E. Expressionism: Art and Idea. New Haven: Yale University Press, 1987.

Gram M. Ernst Josephson: Painting Poet and Poetic Painter // Art Bulletin of Nationalmuseum Stockholm. 2013. Vol. 20. P. 55–58.

Haan J. Neurology and surrealism: Breton and Babinski // Brain. 2012. № 135. P. 3830–3838.

The artist outsider: creativity & the boundaries of culture / Ed. M. D. Hall, E. W. Metcalf Jr. Washington, DC: Smithsonian Institution Press, 1994.

Hilma af Klint — A Pioneer of Abstraction Exhibition catalogue / Ed. I. Müller-Westermann with Jo Widoff, with contributions by D. Lomas, P. Rousseau and H. Zander. Sweden: Moderna Museum, 2013.

Hilma af Klint. Painting the Unseen / Ed. D. Birnbaum and E. Enderby, with contr. Julia Peyton-Jones, Hans Ulrich Obrist, Jennifer Higgie and Julia Voss. Serpentine Galleries; Koenig Books, 2016. URL: http://www.serpentinegalleries.org/sites/default/files/press-releases/hak_press_pack_final.pdf.

Hilma af Klint, the Greatness of Things / Ed. J. Hutchinson. Dublin: Douglas Hyde Gallery, 2005.

Intuit: The Center for Intuitive and Outsider Art. URL: https://www.art.org.

Jagodzinski J. In the Realm of the «Real»: Outsider Art and its Paradoxes for Art Educators // The Journal of Social Theory in Art Education. 2005. № 25. P. 225–254. URL: https://core.ac.uk/download/pdf/51288572.pdf.

Jannarone K. Artaud and His Doubles. Ann Arbor, MI: University of Michigan Press, 2010.

Janody P. À propos de l’ œuvre d’ Aleksander Pavlovitch Lobanov, de sa production et de son devenir // Essaim. 2009. № 2. Vol. 23. URL: https://www.cairn.info/revue-essaim-2009-2-page-23.htm.

Maizels J. Raw Creation — outsider art and beyond. London: Phaidon, 1996.

Josephson E. 1851–1906: