Meg Cabot - Size 12 Is Not Fat

Easy as pie? That sounds worse than the SATs!

Noting my raised eyebrows, Canavan removes the cigar and says, “Excuse me. Easy as pie if you know how to do it. Anyway, somebody lit that thing a few minutes before you and—what’s his name?” He refers to his notebook. “Oh yeah, Mr. Guzman—went for the ride. Now, if you don’t mind my asking, what the hell were you doing on top of that thing?”

Confused, I think back. A pipe bomb, with twin cigarette fuses? I have no idea what such a thing would look like, but I certainly hadn’t noticed anything like it when I’d been up on the elevator car’s roof.

Then again, with all the gears and machinery up there, a small bomb would be easy to hide.

But a pipe bomb? A pipe bomb, in Fischer Hall?

Behind the double doors to the waiting room, a nurse is calling, “Sir, you can’t go in there! Sir, wait—”

Cooper bursts through the swinging doors, his arms full of paper bags. A pretty nurse trails after him, looking mad.

“Sir, you can’t be barging back here,” she insists. “I don’t want to have to call security—”

“It’s all right, nurse,” Detective Canavan says, flipping open his wallet and showing her his badge. “He’s with me.”

“I don’t care if he’s with the Royal Academy of Medicine,” the nurse snaps. “He can’t be barging back here.”

“Have a cannoli,” Cooper says, producing one from a bag. The nurse stares at him like he’s insane.

“No, really,” Cooper says. “Have one. On me.”

Disgusted, the nurse takes the cannoli, chomps off a large bite, then leaves, still chewing. Cooper shrugs, then eyes the detective with undisguised hostility.

“Well, if it isn’t the NYPD’s biggest dick,” he says.

“Cooper!” I’m surprised. “Detective Canavan was just telling me—”

“What, that it’s all in your head?” Cooper laughs bitterly, then stabs an index finger at the wide-eyed detective. “Well, let me tell you something, Canavan. There is no way all six cables to an elevator cab could snap at the same time unless someone deliberately—”

“Cooper!” I cry, but Detective Canavan is chuckling.

“Simmer down, Romeo,” he says, waving his cigar at us. “We already established that a second attempt was made on the life of your girlfriend here. Nobody’s sayin’ what happened with the elevator was an accident. Keep your shirt on. I’m on your side.”

Cooper blinks a few times, then looks at me. I expect him to say something like, “She’s not my girlfriend.” Only he doesn’t. Instead he says, “The tuna salad didn’t look fresh. I got you salami instead.”

“Wow,” I say. Cooper hands me a sandwich that has to be a foot long, at least. Not that there’s anything wrong with that.

Detective Canavan peers at the many bags Cooper has scattered about. “Got any chips in there?” he wants to know.

“Sorry.” Cooper unwraps my sandwich and begins breaking it up into bite-sized pieces, since I can’t hold anything real well. “Olive?”

Detective Canavan looks disappointed.

“No, thanks. So,” he says, as if there’d been no interruption. “Who told you to get on that elevator?”

I say, speaking with my mouth full because I’m too hungry to wait, “All I know is, I got a call from the reception desk that Gavin—he’s this kid that lives in the hall—was elevator surfing again, and so I went with Julio to try and chase the kid down.”

“Yeah? And when you got up there, what?”

I describe the explosion, which had occurred almost simultaneously with my realization that Gavin wasn’t up there after all.

“So,” Detective Canavan says. “Who told the kid at the desk to call you?”

“We all know who did this,” Cooper says. The barely suppressed fury is back in his voice. “Why are you just sitting there, Canavan, instead of arresting him?”

“Arresting who?” Canavan wants to know.

“Allington. He’s the killer. It’s obvious Heather’s got him running scared.”

“I’ll say,” Canavan shakes his head. “The kid left town last night. He’s parked himself out at his folks’ place in the Hamptons. No way he could have planted that bomb, not without some help. Kid’s three hours away by LIE. Somebody wants your girlfriend dead, all right. But it ain’t Chris Allington.”

24

Tonight is the night

Tonight we’ll get it right

Baby, I feel like I’ve been waiting

All my life for this night

So glad I waited

Anticipated

Tonight’s the night

For loving you

“Tonight”

Performed by Heather Wells

Composed by Dietz/Ryder

From the album Magic

Cartwright Records

Getting X-rayed is way painful, since the technician has to twist my body into several unnatural positions in order to get the angle he wants to photograph. But aside from some Motrin, I’m not offered a single thing for the pain.

Hello. You can buy Motrin over the counter. Where’s the Vicodin? Where’s the morphine? What kind of hospitals do they run these days, anyway?

After they X-ray me, they wheel me into this waiting room with a lot of other patients who are lying on gurneys. Most of them look to be in way worse shape than me. All of them seem to have much better painkillers.

Thankfully they let me keep my sandwich. It’s my only source of comfort. Well, that and some Fritos I get out of the candy machine at the end of the ward. It’s no joke getting those quarters in the slot with my bandaged fingers, believe me.

Still, even Fritos don’t make me feel better. I mean, by rights, I should be dead. I really should have been killed by that bomb. But I hadn’t died.

Not like Elizabeth Kellogg and Roberta Pace. What had gone through their minds when they’d been suspended above the hard ground sixteen, fourteen floors below? Had they struggled before they were pushed? There were no signs that they’d done so, just some burn marks, apparently.

But what kind of burn marks?

And why had I lived, while they had died? Is there some reason I’d been spared? Is there something I’m supposed to do? Find their murderer, maybe?

Or had I been allowed to live for some other, even higher purpose? Like to pursue my own medical career, and ensure that future pipe bomb victims would get better drugs when brought to local area hospitals?

A doctor who couldn’t have been any older than me finally shows up just as I’m finishing off the last of the Fritos, holding my X-rays and smiling. At least until he gets a good look at me.

“Aren’t you—” He breaks off, looking panicky.

I’m too tired to play games.

“Yes,” I say. “I’m Heather Wells. Yes, I sang ‘Sugar Rush.’”

“Oh,” he says, looking disappointed. “I thought you were Jessica Simpson.”

Jessica Simpson! I’m so appalled that I can’t utter another word, even when he blithely informs me that there isn’t anything seriously wrong with my shoulder, other than some deep tissue bruising. I need bed rest, and no, he can’t prescribe anything for the pain.

I swear I hear him humming the chorus from “With You” as he leaves.

Jessica Simpson? I don’t look anything like Jessica Simpson! Okay, we both have long blond hair. But there the resemblance ends.

Doesn’t it?

I find a ladies’ room and go inside. Peering at my reflection in the mirror above the sink, I’m relieved to find that I do not in the least resemble Jessica Simpson.

But nor do I resemble a human being. Much. My jeans are torn and covered with grease and my own blood. I’m clutching Cooper’s leather jacket as well as a bright orange blanket around my shoulders. There’s blood and dirt all over my face, and my hair hangs in greasy tangles. There isn’t a trace of lipstick anywhere in the vicinity of my mouth.

In short, I look hideous.

I try to rectify the situation as best I can. Still, the results aren’t anything to write home about.

But it’s a good thing I’d elected to freshen up a little, because when I wander out into the waiting room, my hospital bill—all seventeen hundred dollars of it, to be paid by New York College—in my back pocket, I’m almost blinded by the number of flashbulbs that go off. More than a dozen people I don’t know are calling out, “Miss Wells! Miss Wells, over here! Just one question, Miss Wells—” and the hospital security guard is trying desperately to keep more reporters from spilling into the lobby from the street.

“Heather!” A familiar voice sounds from somewhere in the throng, but not before a woman with a lot of pancake makeup and very big hair shoves a microphone in my face and demands, “Miss Wells, is it true that you and former flame ex—Easy Street member Jordan Cartwright are back together?”

Before I can open my mouth to reply, another reporter pounces.

“Miss Wells, is it true that this is the second time in two days that someone has tried to kill you?”

“Miss Wells,” a third reporter asks. “Is there any truth to the rumor that this bomb was part of an elaborate terrorist plot to eradicate America’s most beloved former teen pop sensations?”

“Heather!”

Above the microphone props and shoulder-held cameras towers Cooper. He gestures to me, indicating a side door that says Hospital Personnel Only on it.

But before I can duck toward it, someone grabs me by my sore shoulder and shouts, “Heather, is it true that you’ll be making your singing comeback representing Calvin Klein’s new fragrance for his fashion company’s fall line?”

Thankfully, a cop shows up, breaking through the wall of reporters and taking hold of my good arm. He physically propels me from the middle of the throng, using his nightstick as a prod to hasten our progress.

“All right, all right,” he says over and over again, in the flat Brooklyn accent I’ve come to know and trust since moving to New York City. “Let the lady through now. Show a little compassion for the patient, folks, and get out of her way.”

The anonymous officer steers me through the Hospital Personnel Only door, then posts himself in front of it like a Marvel comic book superhero, guarding Fort Knox.

Once inside what turns out to be the very same hallway where I’d left Cooper and Detective Canavan when I’d gone to get X-rayed, I see that they’d been joined by a number of people, including Patty and Frank, Magda and Pete, and, for some reason, Dr. Jessup.

Both Patty and Magda let out wails of dismay when they see me. I don’t know why. I thought I’d cleaned myself up pretty good.

Nevertheless, Patty springs out of her plastic chair and grabs me in a hug I’m sure she means to be friendly, but which actually hurts quite a bit. She’s crying and saying things like, “I told you to find a different job! This job is no good for you, it’s too dangerous!”

Meanwhile, Magda’s staring at my hands, her jaw moving in a weird way. I’ve never seen her eyes so big.

“Oh my God,” she keeps saying, throwing accusing looks in Pete’s direction. “You said it was bad, but you didn’t say how bad.”