Александр Долгин - Экономика символического обмена
De Vany A.S. Complexity in The Movies // The Journal of the Santa Fe Institute, 1997.
De Vany A., Eckert R.D. Motion Picture Antitrust: The Paramount Cases Revisited // Research in Law and Economics, Vol. 14, 1991. Р. 51–112.
De Vany A.S., Walls W.D. Uncertainty in the movie industry: Does star power reduce the terror of the box office? // Journal of Cultural Economics, Vol. 23(4), 1999. Р. 285–318.
De Vany A., Walls D. Movie Stars, Big Budgets, and Wide Releases: Empirical Analysis of the Blockbuster Strategy // IMBS Working Paper. University of California, Irvine, 2002.
De Vany A., Walls D. Movie Stars, Big Budgets, and Wide Releases: Empirical Analysis of the Blockbuster Strategy // De Vany A. Hollywood Economics: How Extreme Uncertainty Shapes the Film Industry. New York: Routledge, 2004.
DeFigueiredo D.B. Unleashing the Power of Digital Goods: Enabling New Business Models for the Music Industry. UC Davis University of California, August 2003.
DeGraba P. Buying Frenzies and Seller-Induced Excess Demand // RAND Journal of Economics, Vol. 26, № 2, 1995. Р. 331–342.
Delaney K.J. Internet Firms Face Legal Test On Advertising Fees // The Wall Street Journal, April 5, 2005.
Delgado J., Ishii N. Memory-Based Weighted-Majority Prediction for Recommender Systems // Proc. ACM SIGIR’99 Workshop Recommender Systems: Algorithms and Evaluation, 1999.
Della Valle A.P. The Search vs. Experience Aspects of Cultural Goods: From Mass Media to the Performing Arts // ACEI, Chicago, Illinois, USA, 2004.
Demsetz H. The Private Production of Public Goods // Journal of Law and Economics, Vol. 13, 1970. Р. 293–306.
DeSerpa A. To Err Is Rational: A Theory of Excess Demand for Tickets // Managerial and Decision Economics, Vol. 15(5), 1994. Р. 511–518.
Deshpande M., Karypis G. Item-Based Top-N Recommendation Algorithms // ACM Transactions on Information Systems, Vol. 22, № 1, 2004. Р. 143–177.
DiMaggio P. David Throsby: 2001, Economics and Culture (Book Review) // Journal of Cultural Economics, Vol. 27, 2003. Р. 73–75.
Dolfsma W. A Status Quo in the Economics of Art and Culture: A View of Some Recent Developments // De Economist, Vol. 145, № 2, July 1997. Р. 243–254.
Easterlin R. Does economic growth improve the human lot? Some empirical evidence // David P.A., Reder M.W. (eds.) Nations and Households in Economic Growth: Essays in Honour of Moses Abramowitz. New York and London: Academic Press, 1974.
Easterlin R. Will raising the incomes of all increase the happiness of all? // Journal of Economic Behaviour and Organization, Vol. 27, 1995. Р. 35–48.
Economic Perspectives on Copyright Law. Centre for Copyright Studies Ltd. Canberra, 2003.
Einav L., Orbach B. Uniform Prices for Differentiated Goods: The Case of the Movie-Theater Industry. Discussion Paper, № 337. Cambridge: Harvard Law School, 2001.
Eliashberg J., Shugan S.M. Film Critics: Influencers or Predictors? // Journal of Marketing, Vol. 61, № 2, April 1997. Р. 68–78.
Ellsberg D. Risk, ambiguity, and the Savage axioms // Quarterly Journal of Economics, Vol. 75, 1961. P. 643–669.
Farchy J. Internet et le droit d’auteur – La culture Napster. Paris: CNRS Éditions, 2003.
Frank R.H. Choosing the Right Pond. New York and Oxford: Oxford University Press, 1985.
Frey B. Not Just for the Money. An Economic Theory of Personal Motivation. Cheltenham: Edward Elgar, 1997.
Frey B. State Support and Creativity in the Art: Some New Considerations // Journal of Cultural Economics, Vol. 23(1–2), 1999. P. 71–85.
Frey B., Pommerehne W.W. Art: The economic perspective (1997) // Towse R. (ed.) Cultural economics: The Arts, the Нeritage and the Media Industries. Vol. 1. Cheltenham: Edward Elgar Publishing, 1997. Р. 3–36.
Frey B.S., Stutzer A. Happiness, Economy and Institutions // The Economic Journal, Vol. 110 (466), 2000. P. 918–938.
Gander J., Rieple A. How Relevant is Transaction Cost Economics to Inter-Firm Relationships in the Music Industry? // Journal of Cultural Economics, Vol. 28, 2004. P. 57–79.
Garvin D.A. Reach for the Stars: Blockbusters // Wharton Magazine, Winter 1980. P. 22–28.
Gergaud О., Vignes A. Emergence et dynamique du phénomène de réputation. Le vin de Champagne: entre savoir-faire et faire savoir // Revue d’Economie Industrielle, Vol. 91(1), 2000. P. 55–74.
Getoor L., Sahami M. Using Probabilistic Relational Models for Collaborative Filtering // Proc. Workshop Web Usage Analysis and User Profiling (WEBKDD ’99), August 1999.
Ginsburgh V., Weyers S. On the Perceived Quality of Movies // Journal of Cultural Economics, Vol. 23(4), 1999. P. 269–283.
Gladwell M. The Science of The Sleeper: How the Information Age could Blow Away the blockbuster // The New Yorker, 10.04.1999.
Glejser H., Heyndels B. Efficiency and Inefficiency in the Ranking in Competitions: the Case of the Queen Elisabeth Music // Journal of Cultural Economics, Vol. 25(2), 2001. P. 109–129.
Goldberg K., Roeder T., Gupta D., Perkins C. Eigentaste: A Constant Time Collaborative Filtering Algorithm // Journal of Information Retrieval, Vol. 4, № 2, July 2001. Р. 133–151.
Goldman W. Adventures in the Screen Trade: a Personal View of Hollywood and Screenwriting. Warner Books, 1984.
Good N., Schafer J.B., Konstan J., Borchers A., Sarwar B., Herlocker J., Riedl J. Combining Collaborative Filtering with Personal Agents for Better Recommendations // Proc. AAAI’99, July 1999.
Hamlen W.A. Superstardom in Popular Music: Empirical Evidence // Review of Economics and Statistics, November 1991. Р. 729–733.
Hansen T.B. TheWillingness-to-Pay for the Royal Theatre in Copenhagen as a Public Good // Journal of Cultural Economics, Vol. 21, 1997. P. 1–18.
Hanssen A. The Block Booking of Films: A Re-Examination. Working Paper, Montana State University, 1999.
Happel S., Jennings M. Assessing the Economic Rationale and Legal Remedies for Ticket Scalping // Journal of Legislation, Vol. 16(1), 1989. Р. 1–14.
Happel S., Jennings M. Creating a Futures Market for Major Event Tickets: Problems and Prospects // CATO Journal, Vol. 23, № 3, Winter 2002. Р. 443–461.
Harisson P. The Rational Street Performer Protocol [on-line]. [cited Aug. 2003]. Available from URL: <http://www.logarithmic.net/pfh? action=random>.
Heilbrun J.,Gray Ch.M. The Economics of Art and Culture – An American Perspective. Cambridge: Cambridge University Press, 1993.
Herlocker J.L., Konstan J.A., Borchers A., Riedl J. An Algorithmic Framework for Performing Collaborative Filtering // Proc. 22nd Ann. Int’l ACM SIGIR Conf. Research and Development in Information Retrieval (SIGIR’99), 1999.
Herlocker J.L., Konstan J.A., Terveen L.G., Riedl J.T. Evaluating Collaborative Filtering Recommender Systems // ACM Transactions on Information Systems, Vol. 22, № 1, 2004. Р. 5–53.
Herlocker J.L., Konstan J.A. Content-Independent Task-Focused Recommendation // IEEE Internet Computing, Vol. 5, № 6, November/December 2001. Р. 40–47.
Heylighen F. Collaborative Filtering. Principia Cybernetica Project [on-line], 2001 [cited Feb. 28, 2005]. Available from URL: <http://pespmc1.vub.ac.be/COLLFILT.html>.
Hirsch F. The Social Limits of Growth. Cambridge: Harvard University Press, 1976.
Hoberman J. Ten Years That Shook the World. American Film 10 (June), 1985. P. 34–39, 42–49, 52–59.
Hofmann T. Collaborative Filtering via Gaussian Probabilistic Latent Semantic Analysis // Proc. 26th Ann. Int’l ACM SIGIR Conf., 2003.
Hougaard J.L., Lindeneg K., Tvede M. Selling Digital Goods on the Internet [on-line]. University of Copenhagen, October 2002 [cited Aug. 2003]. Available from URL: <http://www.econ.ku.dl>.
Hu M., Liu B. Mining and Summarizing Customer Review // Proc. 10th ACM SIGKDD, 2004. Р. 168–177.
Hubble J. The Effectiveness of Movie Ratings. Working Paper [on-line], May 7, 1997 [cited July 14, 2003]. Available from URL: <http://www.geocities.com/Athens/6378/pols306.html>.
Hurt R.M., Schuchman R.M. The Economic Rationale of Copyright // American Economic Review, Vol. 56, Issue 1/2, March 1966. P. 421–432.
IFPI, Digital Music Report’05 [on-line], International Federation of the Phonographic Industry, January 2005 [cited July 15, 2005]. Available from URL: <http://www.ifpi.org/site-content/library/digital-music-report-2005.pdf>.
IFPI, Global music sales fall by 7.6% in 2003 – some positive signs in 2004 [on-line], International Federation of the Phonographic Industry, April 7, 2004 [cited Sept. 20, 2004]. Available from URL: <http://www.ifpi.org/site-content/statistics/worldsales.html>.
IFPI, Online Music Report 2004 [on-line], International Federation of the Phonographic Industry, 2004 [cited Sept. 20, 2004]. Available from URL: <http://www.ifpi.org/site-content/library/online-music-report-2004.pdf>.
IFPI, The Recording Industry Commercial Piracy Report 2004 [on-line], International Federation of the Phonographic Industry, 2004 [cited Sept. 25, 2004]. Available from URL: <http://www.ifpi.org/site-content/library/piracy2004.pdf>.
Inglehart R. Culture Shift in Advanced Industrial Society // Princeton: Princeton University Press, 1990.
Kahneman D., Knetsch J., Thaler R.H. Anomalies: The Endowment Effect, Loss Aversion and Status Quo Bias // Journal of Economic Perspectives, Vol. 5, № 1, Winter 1991. Р. 193–206.
Kelejian H.H., Lawrence W.J. Estimating the Demand for Broadway Theater: A. Preliminary Inquiry // Hendon W.S., Shanahan J.L., MacDonald A.J. Economic Policy for the Arts. Cambridge: Abt Books, 1980. P. 333–346.
Kelsey Group. Online Ticketing Outlook. Princeton, N.J., 1999.
Kelsey J., Schneier B. The Street Performer Protocol and Digital Copyrights // First Monday, Vol. 4, № 6, June 7, 1999.
Kelsey J., Schneier B. The Street Performer Protocol. The Third USENIX Workshop on Electronic Commerce Proc. [on-line]. USENIX Press, November 1998 [cited Aug. 2004]. Available from URL: <http://www.counterpane.com/street_performer.html>.
Kenney R.W., Klein B. The Economics of Block Booking // Journal of Law and Economics, Vol. 26(3), 1983. Р. 497–540.
King T. Patronage and Market in the Creation of Opera Before the Institution of Intellectual Property // Journal of Cultural Economics, Vol. 25(1), 2001. Р. 21–45.
Konstan J.A., Miller B.N., Maltz D., Herlocker J.L., Gordon L.R., Riedl J. GroupLens: Applying Collaborative Filtering to Usenet News // Comm. ACM, Vol. 40, № 3, 1997. Р. 77–87.
Krueger A. Supply and Demand: An Economist Goes to the Super Bowl // Milken Institute Review: A Journal of Economic Policy, Vol. 3(2), 2001. Р. 22–29.
Krueger A. The Economics of Real Superstars: The Market for Rock Concerts in the Material World. Working Paper, Princeton University, April 2004.
Kumar R., Raghavan P., Rajagopalan S., Tomkins A. Recommendation Systems: A Probabilistic Analysis // Journal of Computer and System Sciences, Vol. 63, № 1, 2001. Р. 42–61.
Landes W.M., Posner R.A. An Economic Analysis of Copyright Law // Journal of Legal Studies, Vol. 18, 1989. Р. 325–363.
Landes W.M., Posner R.A. Indefenitely Renewable Copyright. University of Chicago Law & Economics, Olin Working Paper, №154.