Рэй Бредбери - Золотые яблоки солнца (The Golden Apples of the Sun), 1953
They floated in an immense sigh above a town already made remote by the little space between themselves and the earth, a town receding behind them in a black river and coming up in a tidal wave of lights and colour ahead, untouchable and a dream now, already smeared in their eyes with nostalgia, with a panic of memory that began before the thing itself was gone.
Blown quietly, eddying, they gazed secretly at a hundred faces of dear friends they were leaving behind, the lamplit people held and framed by windows which slid by on the wind, it seemed; all of Time breathing them along. There was no tree they did not examine for old confessions of love carved and whittled there, no sidewalk they did not skim across as over fields of mica-snow. For the first time they knew their town was beautiful and the lonely lights and the ancient bricks beautiful, and they both felt their eyes grow large with the beauty of this feast they were giving themselves. All floated upon an evening carrousel, with fitful drifts of music wafting up here and there, and voices calling and murmuring from houses that were whitely haunted by television.
The two women passed like needles, sewing one tree to the next with their perfume. Their eyes were too full, and yet they kept putting away each detail, each shadow, each solitary oak and elm, each passing car upon the small snaking streets below, until not only their eyes but their heads and then their hearts were too full.
I feel like I'm dead, thought Janice, and in the graveyard on a spring night and everything alive but me and everyone moving and ready to go on with life without me. It's like I felt each spring when I was sixteen, passing the graveyard and weeping for them because they were dead and it didn't seem fair, on nights as soft as that, that I was alive. I was guilty of living. And now, here, tonight, I feel they have taken me from the graveyard and let me go above the town just once more to see what it's like to be living, to be a town and a people, before they slam the black door on me again.
Softly, softly, like two white paper lanterns on a night wind, the women moved over their lifetime and their past, and over the meadows where the tent cities glowed and the highway where supply trucks would be clustered and running until dawn. They hovered above it all for a long tune.
The courthouse clock was booming eleven forty-five when they came like spider webs floating from the stars, touching on the moonlit pavement before Janice's old house. The city was asleep, and Janice's house waited for them to come in searching for their sleep, which was not there.
"Is this us, here?" asked Janice. "Janice Smith and Leonora Holmes, in the year 2003?"
"Yes."
Janice licked her lips and stood straight. "I wish it was some other year."
"1492? 1612?" Leonora sighed, and the wind in the trees sighed with her, moving away. "It's always Columbus Day or Plymouth Rock Day, and I'll be darned if I know what we women can do about it."
"Be old maids."
"Or do just what we're doing."
They opened the door of the warm night house, the sounds of the town dying slowly in their ears. As they shut the door, the phone began to ring.
"The-call!" cried Janice, running.
Leonora came into the bedroom after her and already Janice had the receiver up and was saying, "Hello, hello!" And the operator in a far city was readying the immense apparatus which would tie two worlds together, and the two women waited, one sitting and pale, the other standing, but just as pale, bent toward her.
There was a long pause, fall of stars and time, a waiting pause not unlike the last three years for all of them. And now the moment had arrived, and it was Janice's turn to phone through millions upon millions of miles of meteors and comets, running away from the yellow sun which might boil or bum her words or scorch the meaning from them. But her voice went like a silver needle through everything, in stitches of talking, across the big night, reverberating from the moons of Mars. And then her voice found its way to a man in a room in a city there on another world, five minutes by radio away. And her message was this:
"Hello, Will. This is Janice!"
She swallowed.
"They say I haven't much time. A minute."
She closed her eyes.
"I want to talk slow, but they say talk fast and get it all in. So I want to say '- I've decided. I will come up there. I'll go on the Rocket tomorrow. I will come up there to you, after all. And I love you. I hope you can hear me. I love you. It's been so long…."
Her voice motioned on its way to that unseen world. Now, with the message sent, the words said, she wanted to call them back, to censor, to rearrange them, to make a prettier sentence, a fairer explanation of her soul. But already the words were bung between planets and if, by some cosmic radiation, they could have been illuminated, caught fire in vaporous wonder there, her love would have lit a dozen worlds and startled the night side of Earth into a premature dawn, she thought. Now the words were not hers at all, they belonged to space, they belonged to no one until they arrived, and they were-travelling at one hundred and eighty-six thousand miles a second to their des filiation.
What will he say to me! What will he say back in his minute of time? she wondered. She fussed with and twisted the watch on her wrist, and the light-phone receiver on her ear crackled and space talked to her with electrical jigs and dances and audible auroras.
"Has he answered?" whispered Leonora.
"Shhh!" said Janice, bending, as if sick.
Then his voice came through space.
"I hear him!" cried Janice.
"What does he say?"
The voice called out from Mars and took itself through the places where there was no sunrise or sunset, but always the night with a sun in the middle of the blackness. And somewhere between Mars and Earth everything of the message was lost, perhaps in a sweep of electrical gravity rushing by on the flood tides of a meteor, or interfered with by a rain of silver meteors. In any event, the small words and the unimportant words of the message were washed away. And his voice came through saying only one word:
"… love…"
After that there was the huge night again and the sound of stars turning and suns whispering to themselves and the sound of her heart, like another world in space, filling her earphones.
"Did you hear him?" asked Leonora.
Janice could only nod.
"What did he say, what did he say?" cried Leonora.
But Janice could not tell anyone; it was much too good to tell. She sat listening to that one word again and again, as her memory played it back. She sat listening, while. Leonora took the phone-away from her without her knowing it and put it down upon its hook.
Then they were in bed and the lights out and the night wind blowing through the rooms a smell of the long journey in darkness and stars, and their voices talking of tomorrow, and the days after tomorrow which would not be days at all, but day-nights of timeless time; their voices faded away into sleep or wakeful thinking, and Janice lay alone in her bed.
Is this how it was over a century ago, she wondered, when the women, the night before, lay ready for sleep, or not ready, in the small towns of the East, and heard the sound of horses in the night and the creak of the Conestoga wagons ready to go, and the brooding of oxen under the trees, and the cry of children already lonely before their time? All the sounds of arrivals and departures into the deep forests and fields, the blacksmiths working in their own red hells through midnight? And the smell of bacons and hams ready for the journeying, and the heavy feel of the wagons like ships foundering with goods, with water in the wooden kegs to tilt and slop across prairies, and the chickens hysterical in their slung-beneath-the-wagon crates, and the dogs running out to the wilderness ahead and, fearful, running back with a look of empty space in their eyes? Is this, then, how it was so long ago? On the rim of the precipice, on the edge of the cliff of stars. In their time the smell of buffalo, and in our time the smell of the Rocket. Is this, then, how it was?
And she decided, as sleep assumed the dreaming for her, that yes, yes indeed, very much so, irrevocably, this was as it had always been and would forever continue to be.
The Wilderness 1952 (Пустыня)
Переводчик: Нора Галь"Итак, настал желанный час…" Уже смеркалось, но М. Л. Джейнис и Леонора во флигеле неутомимо укладывали вещи, что-то напевали, почти ничего не ели и, когда становилось невтерпеж, подбадривали друг друга. Только в окно они не смотрели – за окном сгущалась тьма, высыпали холодные яркие звезды.
– Слышишь? – сказала Джейнис.
Звук такой, словно по реке идет пароход, но это взмыла в небо ракета. И еще что-то – играют на банджо? Нет, это, как положено по вечерам, поют свою песенку сверчки в лето от Рождества Христова две тысячи третье. Несчетные голоса звучат в воздухе, голоса природы и города. И Джейнис, склонив голову, слушает. Давным-давно, в 1849-м, здесь, на этой самой улице, раздавались голоса чревовещателей, проповедников, гадалок, глупцов, школяров, авантюристов – все они собрались тогда в этом городке Индипенденс, штат Миссури. ни ждали, чтоб подсохла почва после дождей и весенних разливов и поднялись густые травы, плотный ковер, что выдержит их тележки и фургоны, их пестрые судьбы и мечты.
Итак, настал желанный час –И мы летим, летим на Марс!Пять тысяч женшин небесахТворить сумеют чудеса!
– Такую песенку пели когда-то в Вайоминге, – сказала Леонора. – Чуточку изменить слова – и вполне подходит для две тысячи третьего года.
Джейнис взяла маленькую, не больше спичечной, коробочку с питательными пилюлями и мысленно прикинула, сколько всего везли в тех старых фургонах на огромных колесах. На каждого человека – тонны груза, подумать страшно? Окорока, грудинка, сахар, соль, мука, сушеные фрукты, галеты, лимонная кислота, вода, имбирь, перец – длиннейший, нескончаемый список! А теперь захвати в дорогу пилюли не крупнее наручных часиков – и будешь сыт, странствуя не просто от Форта Ларами до Хангтауна, а через всю звездную пустыню.
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