Дизайн для реального мира - Виктор Папанек

Tinbergen, Nicolaas. The Herring Gull's World. London: Collins, 1967.

___. Social Behavior in Animals. London: Methuen, 1953.

___. The Study of Instinct. London: Oxford University Press, 1951.

von Frisch, Karl. Animal Architecture. New York: Harcourt Brace Jovanovich, 1978.

___. Bees, Their Vision, Chemical Senses and Language. London: Jonathan Cape, 1968.

___. The Dancing Bees. London: Methuen, 1966.

___. Man and the Living World. New York: Harvest, 1963.

Wickler, Wolfgang. Mimicry in Plants and Animals. London: Wiedenfeld and Nicholson, 1968.

Wilson, Edward O. Sociobiology. Cambridge, Massachusetts: Harvard University Press, 1974.

___and Lumsden, Charles]. Promethian Fire. Cambridge, Massachusetts: Harvard University Press, 1974.

Wilson-Hoffenden, J. R. The Red Men of Nigeria. London: Frank Cass Ltd., 1967.

Wylie, Philip- The Magic Animal. New York: Doubleday, 1968.

Zipf, George K. Human Behavior and the Principle of Least Effort: an Introduction to Human Ecology. Boston: Addison-Wesley Press, 1949.

Эргономика, инженерная психология и человеческий фактор в дизайне

Alger, John R.M., and Hays, Carl V. Creative Synthesis in Design. New York: Prentice-Hall, 1962.

Anthropometry and Human Engineering. London: Butterworth's, 1955.

Asimov, Morris. Introduction to Design. New York: Prentice-Hall, 1962.

Banham, Reyner. Theory and Design in the First Machine Age. London: Architectural Press, 1960.

Buhl, Harold R. Creative Engineering Design. Ames, Iowa: Iowa State University Press, 1960.

Consumers' Union (ed.). Passenger Car Design and Highway Safety. Mount Vernon, New York: Consumers Union, 1963.

Diffrient, Niels; Tilley, Alvin; and Bardagjy, Joan. Humanscale 1/2/3.

Cambridge: M.I.T. Press, 1974.

___. Humanscale 4/5/6. Cambridge: M.I.T. Press, 1981.

___. Humanscale 7/8/9. Cambridge: M.I.T. Press, 1981.

Glegg, Gordon L. The Design of Design. Cambridge: Cambridge University Press, 1969.

Goss, Charles Mayo (ed.). Gray's Anatomy. (27th ed.) Philadelphia: Lea & Febiger, 1959.

Jones, J. Christopher, and Thronley, D.G. Conference on Design Methods. New York: Permagon Press, 1963.

McCormick, Ernest Jr. Human Engineering. New York: McGraw-Hill, 1957.

Nader, Ralph. Unsafe at any Speed. New York: Grossman, 1965.

Schroeder, Francis. Anatomy for Interior Designers. (2d ed.) New York: Whitney Publications, 1948.

Stair, Martin Kenneth. Product Design and Decision Theory. New York: Prentice-Hall, 1963.

U.S. Navy (ed.). Handbook of Human Engineering Data (Second Edition) U.S.

Navy Office of Naval Research, Special Devices Center, by NAVEXOS P-643, Report SDC 199-1-2 (NR-783-001. N6onr-i99. TOIPDSCDCHE Project 20-6-1). Tufts University, Medford, Mass., n.d.

Woodson, Wesley, E. Human Engineering Guide for Equipment Designers. Berkeley: University of California Press, 1954.

Образ, восприятие и творчество

Adorno, T.W. et al. The Authoritarian Personality. New York: Harper, 1950

Allport, Floyd. Theories of Perception and the Concept of Structure. New York: Wiley, 1955.

Berne, Dr. Eric. Games People Play. London: Penguin, 1970.

___. Principles of Group Treatment. London: Oxford University Press, 1966.

___. The Structure and Dynamics of Organizations and Groups. New York: J.B. Lippincott, 1963.

___. Transactional Analysis in Psychotherapy. New York: Grove Press, 1961.

Bettelheim, Bruno. The Empty Fortress: Infantile Autism and the Birth of the Self. New York: Free Press, 1967.

___. The Informed Heart: Autonomy in a Mass Age. London: Paladin, 1970.

DeBono, Edward. New Think. New York: Basic Books, 1968.

Freud, Sigmund. Beyond the Principle. Translated by Strachey. London: Hogarth Press, 1961.

___. Moses and Monotheism. Translated by Jones. London: Hogarth Press, 1951.

___. On Creativity and the Unconscious. New York: Torch-books, n.d.

___. Totem and Taboo. Translated by Brill. London: Routledge & Kegan Paul, 1950.

Fromm, Erich. The Art of Loving. London: Alien & Unwin, 1957.

___. The Revolution of Hope. New York: Harper, 1968.

Ghiselin, Brewster (ed.). The Creative Process. New York: Mentor Books.

Gibson, James J. The Perception of the Visual World. Boston: Hough ton Mifflin, 1950.

Gordon, William J.J. Synectics. New York: Harper, 1961.

Gregory, R.L. The Intelligent Eye. London: Wiedenfield & Nicholson, 1970.

Gregory, R.L., and Gombrich, E. H. (eds.). Illusion in Nature and Art. London: Duckworth, 1973.

Grotjahn, Martin. Beyond Laughter. New York: McGraw-Hill, 1957.

Gunther, Bernard. Sense Relaxation. London: MacDonald, 1969.

Jung, C.G. Archetypes and the Collective Unconscious. 2 vols. London: Routledge & Kegan Paul, 1922.

___. Psychology of the Unconscious. London: Routledge & Kegan Paul, 1922.

Katz, David. Gestalt Psychology. New York: Ronald Press, 1950.

Koehler, Wolfgang. Cestalt Psychology, rev. ed. New York: Liverigb, 1970.

Koehler, Arthur. The Act oj Creation. London: Hutchinson, 1969.

Kofka, K. Principles of Gestalt Psychology. London: Routledge & Kegan Paul, 1935.

Korzybski, Alfred. The Manhood oj Humanity. Chicago: Library of General Semantics, 1950.

___. Science and Sanity. Chicago: Library of General Semantics,1948.

Kubie, Lawrence S. The Neurotic Distortion oj the Creative Process. Lawrence, Kansas: The University of Kansas Press, 1958.

Leonard, George B. Education and Ecstasy. London: John Мurray, 1970.

Lindner, Robert. Must You Conform? New York: Rinehart, 1956.

__. Prescription for Rebellion. New York: Rinehart, 1952.

Neumann, Erich. The Archetypal World of Henry Moore. London: Routledge & Kegan Paul, 1959.

Parnes, Sidney, and Harding, H. A Source Book of Creative Thinking. New York: Scribner, 1962.

Peris, F.S. Ego, Hunger and Aggression. New York: Random Houses, 1969.

___. Gestalt Therapy Verbatim. Edited by J. Stephens. Lafayette, California: Real People Press, 1969.

___. In and Out of the Garbage Pail. Lafayette, California: Real People Press, 1969.

Petermann, Bruno. The Gestalt Theory and the Problem of Configuration. New York: Harcourt, Brace, 1932.

Rawlins, Ian. Aesthetics and the Gestalt. London: Nelson, 1953.

Reich, Wilhelm. The Cancer Biopathy. New York: Orgone Institute Press, n.d.

___. The Function of the Orgasm. London: Panther, 1968.

___. The Mass Psychology oj Fascism. New York: Orgone Institute Press, 1946.

___. Selected Writings: An Introduction to Orgonomy. New York: Vision Press, 1972.

___. The Sexual Revolution. New York: Vision Press, 1969.

Rolf, Dr. Ida P. Structural Integration. Santa Monica, California: Esalen Press, 1962.

Ruesch, Jurgen. Communication. New York: Norton, 1951.

___. Disturbed Communication. New York: Norton, 1957.

___. Non-Verbal Communication. Berkeley: University of California Press, 1956.

Shanks, Michael. The Innovators. Middlesex: Penguin, 1967.

Smith, Paul. Creativity. New York: Hastings House, 1959.

Spence, Lewis. Myth and Ritual in Dance, Came and Rhyme. London: Watts Ltd., 1947.

Vernon, Magdalen D. A Further Study of Visual Perception. Cambridge: Cambridge University Press,