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Дэвид Шилдс - Сэлинджер

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–. «Sherwood Anderson and The Catcher in the Rye: A Possible Influence» Notes on Contemporary Literature 1, no. 5 (1971): 2–6.

Bryden, Ronald. «Living Dolls» Spectator, June 8, 1962, 755–56.

Bryfonski, Dedria, ed. Depression in J. D. Salinger’s The Catcher in the Rye. Detroit: Greenhaven Press, 2009.

Buchan, John. «Skule Skerry» In The Far Islands and Other Tales of Fantasy, 75–92. West Kingston, RI: Donald M. Grant, 1984.

Bufithis, Philip. «J. D. Salinger and the Psychiatrist» West Virginia University Bulletin: Philological Papers 21 (December 1974): 67–77.

Burger, Nash K. «Books of the Times» New York Times, July 16, 1951, 19.

Burke, Brother Fidelian. «Salinger’s ‘Esme’: Some Matters of Balance» Modern Fiction Studies 12, no. 3 (1966): 341–47.

Burnett, Hallie, and Whit Burnett. Fiction Writers’ Handbook. New York: Harper & Row, 1975.

Burnett, Whit, and John Pen. «Immortal Bachelor: The Love Story of Robert Burns» Story, November – December 1942.

Burrows, David J. «Allie and Phoebe: Death and Love in J. D. Salinger’s ‘The Catcher in the Rye’»In Private Dealings: Modern American Writers in Search of Integrity, edited by David J. Burrows et al., 106–14. Rockville, MD: New Perspectives, 1974.

Burt, Daniel S., ed. The Chronology of American Literature: America’s Literary Achievements from the Colonial Era to Modern Times. Boston: Houghton Mifflin, 2004.

Cagle, Charles. «The Catcher in the Rye Revisited» Midwest Quarterly 4 (Summer 1963): 343–51.

Cahill, Robert. «J. D. Salinger’s Tin Bell» Cadence 14 (Autumn 1959): 20–22.

California, John David [Fredrik Colting]. 60 Years Later: Coming through the Rye. London: Windupbird, 2009.

Carpenter, Frederic I. «The Adolescent in American Fiction» English Journal 46 (September 1957): 313–19.

Carvajal, Doreen. «Salinger’s Daughter Plans to Publish a Memoir» New York Times, June 24, 1999, E-10.

Carver, Michael. Introduction to D-Day As They Saw It, by Jon E. Lewis. New York: Avalon.

Castronovo, David. «Holden Caulfield’s Legacy» New England Review 22, no. 2 (2001): 180–86.

«The Catcher on the Hill» Newsweek, November 18, 1974, 17.

Cawelti, John G. «The Writer as a Celebrity: Some Aspects of American Literature as Popular Culture» Studies in American Fiction 5 (1977): 161–74.

Chambers, Andrea. «In Search of J. D. Salinger, Biographer Ian Hamilton Discovers aSubject Who Didn’t Want to Be Found» People, June 6, 1988, 51–53.

Chandra, Subhash. The Fiction of J. D. Salinger: A Study in the Concept of Man. New Delhi: Prestige, 2000.

Chaplin, Patrice. Hidden Star: Oona O’Neill Chaplin. London: Richard Cohen Books, 1995.

Cheatham, George, and Edwin Arnaudin. «Salinger’s Allusions to My Foolish Heart – The Salinger Movie» ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 20, no. 2 (2007): 39–43.

Chester, Alfred. «Salinger: How to Love without Love» Commentary 35 (June 1963): 467–74.

Childers, Thomas. Soldier from the War Returning: The Greatest Generation’s Troubled Homecoming from World War II. New York: Houghton Mifflin Harcourt, 2009.

Clarkson, Michael. «Catching the ‘Catcher in the Rye’ J. D. Salinger» In If You Really Want to Hear about It: Writers on J. D. Salinger and His Work, edited by Catherine Crawford, 49–62. New York: Thunder’s Mouth Press, 2006. Originally published in Niagara Falls Review, November 1979.

Cohen, David S. Screen Plays: How 25 Screenwriters Made It to a Theater Near You – for Better or Worse. New York: HarperCollins, 2008.

Cohen, Hubert I. «A Woeful Agony Which Forced Me to Begin My Tale’: The Catcher in the Rye» Modern Fiction Studies 12, no. 3 (1966): 355–66.

Coles, Robert. «Anna Freud and J. D. Salinger’s Holden Caulfield» Virginia Quarterly Review 76, no. 2 (2000): 214–24.

–. «Reconsideration: J. D. Salinger» New Republic, April 28, 1973, 30–32.

«Contributors» Story 16 (March – April 1940): 2.

«Controversial Story Not by J. D. Salinger» New Orleans Times Picayune, February 27, 1977, 18.

Corbett, Edward P. «Raise High the Barriers, Censors» America, January 7, 1961, 441–43.

Costello, Donald P. «The Language of ‘The Catcher in the Rye’» American Speech 34, no. 3 (1959): 172–81.

–. «Salinger and His Critics» Commonweal, October 25, 1963, 132–35.

Cotter, James Finn. «Religious Symbols in Salinger’s Shorter Fiction» Studies in Short Fiction 15 (Spring 1978): 121–32.

–. «A Source for Seymour’s Suicide: Rilke’s ‘Voices’ and Salinger’s Nine Stories» Papers on Language and Literature 25, no. 1 (1989): 83–89.

Cowan, Alison Leigh, «To a Dear Buddyroo: Salinger Letters Unleashed» New York Times, February 12, 2010, C-23, C-28.

Cowan, Michael. «Holden’s Museum Pieces: Narrator and Nominal Audience in The Catcher in the Rye» In New Essays on The Catcher in the Rye, edited by Jack Salzman, 35–55. Cambridge: Cambridge University Press, 1991.

Cox, James M. «Toward Vernacular Humor» Virginia Quarterly Review 46 (Spring 1970): 311–30.

Crawford, Catherine, ed. If You Really Want to Hear about It: Writers on J. D. Salinger and His Work. New York: Thunder’s Mouth Press, 2006.

Creeger, George R. «Treacherous Desertion»: Salinger’s The Catcher in the Rye. Middletown, CT: Wesleyan University Press, 1961.

Cronin, Gloria, and Ben Siegel, eds. Conversations with Saul Bellow. Jackson: University of Mississippi Press, 1994.

Cullen, Frank. Vaudeville, Old and New. New York: Routledge, 2007.

Cunningham, Ed. Yank: The Story of World War II as Written by the Soldiers. Brassey’s, 1991.

Curry, Renee R. «Holden Caulfield Is Not a Person of Colour» In J. D. Salinger’s The Catcher in the Rye, edited by Sarah Graham, 78–88. London: Routledge, 2007.

Cutchins, Dennis. «Catcher in the Corn: J. D. Salinger and Shoeless Joe» In The Catcher in the Rye: New Essays, edited by J. P. Steed, 53–77. New York: Peter Lang, 2002.

Dahl, James. «What about Antolini?» Notes on Contemporary Literature 13, no. 2 (1983): 9–10.

Dann, Sam. Dachau 29 April 1945: The Rainbow Liberation Memoirs. Lubbock: Texas Tech University Press, 1998.

«A Dark Horse» Virginia Kirkus’ Bookshop Service, May 15, 1951, 247.

Daughtry, Vivian F «A Novel Worth Teaching: Salinger’s The Catcher in the Rye» Virginia English Bulletin 36, no. 2 (1986): 88–94.

Davis, Kenneth C. Two-Bit Culture: The Paperbacking of America. Boston: Houghton Mifflin, 1984.

Davis, Tom. «J. D. Salinger: A Checklist» Papers of the Bibliographical Society of America 53 (January – March 1959): 69–71.

–. «J. D. Salinger: ‘Some Crazy Cliff ’ Indeed» Western Humanities Review 14 (Winter 1960): 97–99.

–. «J. D. Salinger:‘The Sound of One Hand Clapping’» Wisconsin Studies in Contemporary Literature 4, no. 1 (1963): 41–47.

–. «J. D. Salinger: The Identity of Sergeant X» Western Humanities Review 16 (Spring 1962): 181–83.

Davison, Richard Allan. «Salinger Criticism and ‘The Laughing Man’: A Case of Arrested Development» Studies in Short Fiction 18 (Winter 1981): 1–15.

D-Day Plus 40 Years. Television documentary, NBC Television Network, 1984.

Deer, Irving, and John H. Randall III. «J. D. Salinger and the Reality beyond Words» Lock Haven Review 6 (1964): 14–29.

DeLillo, Don. Mao II. New York: Viking Penguin, 1991.

Dempsey, David. «Ten Best-Selling Authors Make Their Holiday Choices» New York Times Book Review, December 2, 1951, 244.

«Depositions Yield J. D. Salinger Details» New York Times, December 12, 1986, C-27.

Dev, Jai. «Franny and Flaubert» Journal of American Studies 25, no. 1 (1991): 81–85.

–. «Strategies of Self-Defence: Self-Reflexivity in Franny and Zooey» Panjab University Research Bulletin 21, no. 1 (1990): 17–41.

Dickstein, Morris. Leopards in the Temple: The Transformation of American Fiction 1945–1970. Cambridge, MA: Harvard University Press, 2002.

Didion, Joan. «Finally (Fashionably) Spurious» In Salinger: A Critical and Personal Portrait, edited by Henry Anatole Grunwald, 77–79. New York: Harper & Row, 1962. Originally published in National Review, November 18, 1961.

Dodge, Stewart. «The Theme of Quest: In Search of ‘The Fat Lady’» English Record 8 (Winter 1957): 10–13.

Dolbier, Maurice. «Franny and Zooey» New York Herald Tribune, September 14, 1961, 19.

Douglas, Claire. Translate This Darkness. Princeton: Princeton University Press, 1993.

Drake, Robert Y. «Two Old Juveniles» Georgia Review 13 (Winter 1959): 10–13.

Ducharme, Edward R. «J. D., D. B., Sonny, Sunny, and Holden» English Record 19, no. 2 (1968): 54–58.

Dudar, Helen. «In Search of J. D. Salinger, Publishing’s Invisible Man» Chicago Tribune, June 19, 1979, 2: 1, 6.

Dudley, Robin. «J. D. Salinger’s Uncollected Stories and the Development of Aesthetic and Moral Themes in The Catcher in the Rye» Master’s thesis, Idaho State University, 2004.

Dugan, Lawrence. «Holden and the Lunts» Notes and Queries 52, no. 4 (2005): 510–11.

Edwards, Duane. «Holden Caulfield: ‘Don’t Ever Tell Anybody Anything’» Journal of English Literary History 44, no. 3 (1977): 554–65.

Eisman, Gregory Dwight. «The Importance of Being Seymour: The Dramatic Function of Seymour Glass in the Works of J. D. Salinger» Master’s thesis, Florida Atlantic University, 1974.

Elfin, Mel. «The Mysterious J. D. Salinger… His Woodsy, Secluded Life» Newsweek, May 30, 1960, 92–94.

Eliason, Marcus. «Conspiracy of Silence Guards Private World of J. D. Salinger» New Orleans Times Picayune, December 21, 1975, 3: 15.

Eliot, T. S. Collected Poems 1909–1962. New York: Harcourt Brace, 1963.

Elmen, Paul» Twice-Blessed Enamel Flowers: Reality in Contemporary Fiction» In The Climate of Faith in Modern Literature, edited by Nathan A. Scott Jr., 84–101. New York: Seabury Press, 1964.

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